What kind of art did Wifredo Lam make?

Wifredo Lam, Cuban (1902 - 1982) - Cigognes Ciseaux Gigognes (Nesting Scissor Storks), Portfolio: Phases no 11, Year: 1966, Medium: Lithograph, Edition: 1000, Size: 10.75 x 16.5 in....

Wifredo Lam, Cuban (1902 - 1982) - Cigognes Ciseaux Gigognes (Nesting Scissor Storks), Portfolio: Phases no 11, Year: 1966, Medium: Lithograph and Collage on Paper, signed in pen lo...

Lithograph, 1973 Handsigned by the artist in pencil and numbered XVIII/XX Publisher : La Mata (Paris) Catalog : [Tonneau-Ryckelynck n°7301] 65.00 cm. x 49.00 cm. 25.59 in. x 19.29 i...

Untitled  is a lithograph realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited...

Untitled  is an artwork realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited b...

Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. He discovered surprising correlations between western art and so called “primitive” art. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters...