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Irene PattinsonIndian Dancer - Vintage Illustration in Ink and WatercolorMid 20th Century
Mid 20th Century
About the Item
Indian Dancer - Vintage Illustration in Ink and Watercolor
A stoic, dark-haired woman in elaborate dress is sitting cross-legged in this illustration by Irene Pattinson (American, 1909-1999). Pattinson uses fine ink line detail and a vibrant pink watercolor for a splash of color.
Signed at the bottom, "Irene Pattinson."
Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art.
Presented in a new white mat with foam core backing.
Mat size: 16"H x 12"W
Paper size: 11.75"H x 8.5"W
Image size: 7.5"H x 6.5"W
Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56.
Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art.
Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works).
Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963.
Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection
Exhibitions:
1963 The Art Bank of the San Francisco Art Association, San Francisco, CA
1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA
1962 The Art Bank of the San Francisco Art Association, San Francisco, CA
1961 San Francisco Museum of Art, San Francisco, CA
1960 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA
1960 San Francisco Art Institute, San Francisco, CA
1960 The Art Bank of the San Francisco Art Association, San Francisco, CA
1960 San Francisco Woman Artist’s Association, San Francisco, CA
1960 San Francisco Art Institute, San Francisco, CA
1959 The Art Bank of the San Francisco Art Association, San Francisco, CA
1959 San Francisco Woman Artist’s Association, San Francisco, CA
1958 Richmond Art Center, Richmond, CA
1958 San Francisco Woman Artist’s Association, San Francisco, CA
1958 The Art Bank of the San Francisco Art Association, San Francisco, CA
1958 Oakland Art Museum Annual, Oakland, CA
1957 San Francisco Woman Artist’s Association, San Francisco, CA
1957 Richmond Art Center, Richmond, CA
1956 Richmond Art Center, Richmond, CA
1955 San Francisco Art Association Annual, San Francisco, CA
1955 Richmond Art Center, Richmond, CA
1954 San Francisco Art Association Annual, San Francisco, CA
1951 Oakland Art Museum Annual, Oakland, CA
1948 San Francisco Art Association Annual, San Francisco, CA
Literature: San Francisco Art Institute. Catalog of the Art Bank 1962-1963
Source: David Carlson, Carlson Gallery.
- Creator:Irene Pattinson (American)
- Creation Year:Mid 20th Century
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Artwork is in very good condition with slight tonal aging hidden by the mat. Mat is new.
- Gallery Location:Soquel, CA
- Reference Number:
Irene Pattinson
Irene Pattinson studied at the California School of Fine Art (now the San Francisco Art Institute), San Francisco State College and the Marion Hartwell School of Design. She was President of the San Francisco Women Artists Association, 1955–56. Pattinson exhibited solo at Lucien Labaudt Gallery, 1955 and San Francisco Museum of Art, 1961 (39 works).
(Biography provided by Robert Azensky Fine Art)About the Seller
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In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. 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