Lily Bristow

Lily Bristow, Autumnal Landscape With Pond, Antique Watercolour

1899

This early 20th-century watercolour by Belgian artist Victor Wagemaekers (1876-1953) depicts a view across an open field towards several cottages. It’s an accomplished naturalistic work. Here we see the characteristically flat farmland of the low countries. A wide view with a distant vanishing point. Note the rendering of the furthest trees in near-white as they disappear from view. And the smoke gently rising from the cottage chimneys. Wagemaekers was a realist and sought to capture nature as it was - in a traditional style inspired by the Flemish old masters. He was part of a movement known as ‘Le Sillon’, comprised mainly of students from the Brussels Academy. This group of traditionalists were anti-impressionism and looked back towards the glory days of Flemish artistry. His naturalistic views were usually captured in the broad fields around Brussels, particularly in Grimbergen. Signed lower right and held within a period frame. Victor Wagemaekers trained under Franz Courtens (1854-1943) and his works are held in several public collections including at the Royal Museum of Fine Arts, Antwerp, Museum Taxandria and Jakob...

This peaceful 19th-century landscape by English artist Charles Branwhite (1817-1880) evokes the elemental romance of a picturesque river at sunset. A moment of calm at the end of a l...

This early 20th-century oil painting by British artist Henry John Kinnaird (1880-1920) depicts a quaint pastoral scene in Sussex, England. Tranquillity, harmony and abundant beauty ...

This rugged early 20th-century gouache by British artist John Falconar Slater (1857-1937) depicts rapid whitewater amid an upland scenery in Northumberland, England. As the fierce f...

This early 20th-century watercolour by English artist Henry Robertson (1848-1930) depicts the beach at Hastings. Nets sprawl from a dormant fishing boat before dapples of beachfront...

This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales. Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club. Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...

Colorful study of grape leaves in autumn with abstracted elements and a pink/magenta background by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the est...

Serene figurative landscape of a Zen sculpture garden surrounded by mountains and trees by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Mon...

Serene figurative landscape of a sculpture garden full of plants and architectural elements by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in...

Double-sided watercolor with a beautiful landscape of Cypress Point at sunrise, and a vertical landscape of Pt. Lobos on verso by Les (Leslie Luverne) Anderson (American, 1928-2009)....

A bold and colorful cityscape watercolor of an urban Basilica, the great Saint Ignatius Church of San Francisco, with its impressive architecture captur...

Lennard Lewis (British, 1826 - 1913) View of the Lago Maggiore and the Mountains of southern Switzerland • Water colour on paper • Signed and dated low...