Yanira Collado

Mixed Media Textile Assemblage Collage Painting on Wood Yanira Collado, Miami

2020

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Add...

Cheryl Warrick (American, b. 1956), "By Ones By Twos" Acrylic mixed media on panel, 1999, Hand signed in pencil, titled and dated verso, gallery label...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - ar...

A. K. Douglas - Loosing Fear of the Consequences Series Mixed Media, 15 x 11 inches, 2020 Born in India1979, 2015: MFA from Prachin Kala Kendra, Chandigarh, India. Show / workshops/ symposium /biennale • 2020: Solo Show at SPC kunstrum gallery, Copenhagen Denmark. • 2020: Group show CALTART Caltabellotta Contemporary Art Project,Sicily. • 2020: Open Studio with marc Rayner, Sweden. • 2020: Group show, Galerie 6, Mairie de Montreuil, France. • 2020: Open 7,International art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: Group show-University Art museum Chungcheongbuk-do South Korea. • 2019: De Colore. Leonardo e l”interpretazionecontemporane, Milano Italy. • 2019: Kaleidoscope, international art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: 9th Biennale de SarriaSalon International d'Art,Spain • 2019: International artist residency for River Democracy, MahakumbhMela, PrayagrajIndia. • 2019: Group Show of Vasudhaivakutumbakam at Allahabad Museum India. • 2019: International coordinator for Dhanbad Art Fair, Dhanbad India. • 2018: 2nd Bodhgaya Biennale, Bodhgaya India. • 2018: Group show, Governor House Patna, in association with Govt. of Bihar (workshop)& Bihar Museum,India. • 2018: Group show,Gallerie Sonia Monti, Paris, France. • 2018: Arthshila International Artist Symposium Group Show, Bihar Museum Patna, India. • 2017: AMP TWOFOUR54, group show, October & November edition, Abu Dhabi,UAE. • 2017: 9th Biennale de SarriaSalon International d'Art,Spain. • 2017: ZeeArts, M gallery, The Retreat Hotel Palm Jumeirah. Dubai, UAE. • 2017: Group show, Magnetikzone International Art Project, Polo Museale “A.Cordici” Italy. • 2017: New media group show, Korean culture centre New Delhi, India. • 2017: Collective exhibition in Erice, Italy. • 2017: New media group show, Schema Art Museum Cheongju, South Korea. • 2017: Konst pa vag group show, Sweden. • 2017: Dual show,lugar 34 & Circa, TromsoNorway. • 2017: Dual show,Magazzinidell'ArteContemporanea,TrapaniSicily. • 2017: Group show, Anima Mundi at OrtoBotanico di Napoli, NaplesItaly. • 2016: Open studio with Marc Rayner, Sweden. • 2016: Magnetic zone, International Art Project, at MuseoCivico di Torre di Ligny, Trapani Italy. • 2016: Art Dubai, Mojo art gallery Dubai. • 2016: Landscape at SpazioPorta Mazzini Viale G, Mazzini 1, Rome, Italy. • 2015: International art camp, exhibition- The Al Asmakh Art Symposium, Qatar. • 2015: Biennale D’ArteContemporanea di Trapani secondaedizione, Italy. • 2015: Salon Generations, Hanger Art Center- Opera House Cairo- Egypt. • 2015: UpCycled Art Festival, Aviation Industry, Art Takes Wing, Art Hub Liwa, UAE. • 2015, 14, 13: Project Director for VashudhaivaKutumbakam artist residency. •2011, 17: Project manager for Buddha Enlightenment art...

Color Derivatives #14, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, Gold, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique _________________________...

Color Boundaries #66, Painting 2018 by Natasha Zupan From the series Color Boundaries Sand, pigments, clothes, synthetic binders, oil on wood Size: 51 in. H x 36 in. W Unique ______...

Color Derivatives #52, 2018 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique _______________________________...

Color Derivatives #15, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, Gold, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique ____________________________________ Natasha Zupan beautifully unites the old and new. A Yale-educated, the internationally renowned artist, combines the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work explores the manipulation of surface texture, light, and the interweaving of time. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Natasha shows annually throughout Europe, Asia, and the United States, including multiple exhibitions at the Columbus Museum of Art...