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Rembrandt van RijnChrist Driving The Moneychangers From The Temple - Rembrandt, Dutch, Etching1635
1635
About the Item
Christ Driving the Money Changers from the Temple by the Dutch Golden Age painter, printmaker, and draughtsman, Rembrandt Harmenszoon van Rijn, usually known as Rembrandt.
This etching with touches of drypoint, 1635, on laid paper is a fine impression. Referenced by: B69 H126 BB35-B, Signed & dated Rembrandt f 1635, *N-U The 2nd State of 7, is i good condition.
In this print, Rembrandt van Rijn depicts the Biblical story of Christ driving the moneychangers from the temple. Christ stands in the centre of the image, wielding a bunch of ropes as a whip in his raised left hand. He is surrounded by a scene of pandemonium: to his right a table has been knocked over; a merchant grasps his money bag as coins spill out of another bag onto the floor; merchants are falling, gathering up their goods, running and shouting. One carries a basket of chickens on his head. To the right a man is being dragged by a startled calf and people and animals scatter in confusion.
Framed Dimensions: H:42.5 x W:53 x D:1.5cm
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1635
- Dimensions:Height: 5.28 in (13.4 cm)Width: 6.54 in (16.6 cm)
- Medium:
- Movement & Style:
- Period:1630-1639
- Condition:
- Gallery Location:Knowle Lane, GB
- Reference Number:
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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