Cynthia Rojas

Cynthia Rojas "Crossbreeze" Acrylic and Ink on Wood Panel (triptych)

2023

Ky Anderson Bird Conservation, 2018 acrylic and ink on watercolor paper 60 x 72 in. (and336) Ky Anderson’s geometric, abstract paintings are in fact referential of quotidian subject...

Ky Anderson Star School 20.4, 2020 acrylic and ink on watercolor paper 25 x 22 in. (and322) Ky Anderson’s geometric, abstract paintings are in fact referential of quotidian subjects...

Ky Anderson Shield 21.12, 2021 acrylic and ink on watercolor paper 25 x 22 in. (and354) This original acrylic and ink on paper painting by Ky Anderson features geometric shapes and ...

Cynthia Rojas creates her paintings with an insistent, intuitive line and colorful, eccentric shapes. Annual trips to Mexico have had a major influence on her palette and vintage te...

Cynthia Rojas creates her paintings with an insistent, intuitive line and colorful, eccentric shapes. Annual trips to Mexico have had a major influence on her palette and vintage te...

Cynthia Rojas creates her paintings with an insistent, intuitive line and colorful, eccentric shapes. Annual trips to Mexico have had a major influence on her palette and vintage te...

Waiting for equality iv, 2021. Acrylic ink on 100% cotton paper. 560 x 760mm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well...

Pylons Marching 1 and 2, 2017. Acrylic and ink on paper. 302 x 215 mm each Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well-k...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic c...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic c...

1893 PRAGUE 2020 Paris, France Identifying a hypothetical time and place, ‘1893 Prague’ is inspired by the anticipation of opening a letter from the past. The name of the piece and ...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...