Glyn MorganLandscape with White Bird - Welsh 1950's Abstract art oil painting nature 1950
1950
About the Item
- Creator:Glyn Morgan (1926, British)
- Creation Year:1950
- Dimensions:Height: 40 in (101.6 cm)Width: 50 in (127 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113404862
Glyn Morgan
Glyn Morgan was a Welsh artist who studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton End artists as well as Greek mythology, music and the landscape. Morgan’s earlier Post-Impressionist work was influenced by Cézanne and Bonnard.
Glyn Morgan was born in Pontypridd, Glamorgan. His artistic education began at Cardiff College of Art in 1942, where he studied under renowned Welsh artist Ceri Richards. It was during his time at Cardiff that Morgan was first introduced to the work of Cedric Morris, who proved to be his main source of inspiration throughout his artistic career. In 1944, Morgan studied at Benton Edge (formally known as the East Anglian School of Drawing and Painting), where his friendship with Cedric Morris began. The two painted each other many times, and Morgan organised a “Benton Edge” exhibition at Bury St Edmunds Art Gallery in 1985, as well as contributing to the 2002 book Benton End Remembered. Morgan went on to attend Camberwell School of Art from 1947–48 and during his time there he also taught painting at schools in Suffolk, Somerset and even Greece. His travels in Greece inspired an interest in Greek mythology, and he produced a series of paintings inspired by Greek mythology, which were shown at the Chappel Galleries in 1996. Classical music also inspired his work, and his roots in Welsh history are also present in his work. Interestingly, he was very open about how difficult he sometimes found painting – he said in 1994 at the time of his and Cedric Morris’ exhibition at the Chappel Galleries, “My pictures were, and still are, a battlefield” (Telegraph’s obituary). The Chappel Galleries in Colchester exhibited Morgan’s work from the mid-90s through to 2014. He held numerous other solo shows, including at the National Library of Wales in Aberystwyth in 2006.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- City of Dreams - British Abstract art oil painting cityscape mapping red blackBy StanzaLocated in London, GBThis stunning large abstract oil on canvas oil painting entitled City of Dreams is by London based artist Stanza. Based on his interested in landscape, cities and surveillance this p...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Oil
- Inversion of Direction - British Abstract Art Oil Painting Cityscape MappingBy StanzaLocated in London, GBThis stunning large abstract oil on canvas oil painting entitled Inversion of Direction is by London-based artist Stanza. Based on his interest in landscape, cities and surveillance ...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsOil, Canvas
- City of Hope - British Abstract oil painting cityscape mapping greenBy StanzaLocated in London, GBTo celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Oil
- Landscape Of Desires- Contemporary Abstract Art Oil PaintingBy StanzaLocated in London, GBTo celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...Category
2010s Abstract Abstract Paintings
MaterialsOil
- Heart Of The Matter - Contemporary Abstract Art Digital Painting GreenBy StanzaLocated in London, GBTo celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil, Digital
- Abstract Expressionist - Original 60's oil/spray paint on paper S. African artBy Denis BowenLocated in London, GBAn original oil and spray paint on paper by Denis Bowen who played an important role in the Post War British art movement. This simple yet stunning work dates to 1962. Signed and dated verso. Provenance. Northern collection. Condition. Oil and spray paint on paper. Image size 26 inches by 18 inches and in fine gallery condition. Housed in a simple black gallery frame in excellent condition, 28 inches by 20 inches. Denis Bowen (1921-2006) was a South African artist, gallery director and promoter of abstract and avant-garde art in Britain. He was founder of the New Vision Group and the New Vision Centre Gallery, both of which played an important role in the post-World War II British art scene. Denis Bowen was born on 5 April 1921 in Kimberley, South Africa. His father was Welsh and his mother English. After being orphaned at a young age, Bowen moved to England where he was raised by his aunt in Huddersfield. He enrolled at the Huddersfield School of Art in 1936. After serving in the Navy in World War II, Bowen resumed his art studies at the Royal College of Art in London in 1946. Between 1940 and 1986 Bowen taught art at numerous institutions including: the Kingston Institute of Art, Hammersmith School of Art, Birmingham School of Art, the Central School of Art and Design, the Royal College of Art and the University of British Columbia in Vancouver. In 1951 Bowen founded the New Vision Group, which initially emerged from meetings and displays that he organised with his students in 1951. In 1955, Bowen worked alongside Frank Avray Wilson and Halima Nalecz...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsPaper, Oil, Spray Paint
- DivideBy Doug FreedLocated in Tulsa, OKDivide by artist Doug Freed is a deep blue contemporary abstract landscape oil on canvas painting that measures 72 x 96 and is priced at $18,000. Doug Freed attempts to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. In his luminescent multi-paneled oil paintings Freed tries to find the gray area between traditional landscape painting and its abstraction into color fields. Artist Statement For nearly twenty years, I made non-objective grid structured paintings. I started to see references to landscape in these works. I've literalized those references by painting oil landscape vistas of horizons, clouds and bodies of water. These paintings consist of two or more vertical panels. Usually one panel is landscape imagery. The adjacent panels are often atmospheric voids with vestiges of recognizable landscapes. I try to capture the mystical light found in natural atmospheric effects: the haze in the distance on humid summer days, the overcast gloom of winter skies, and the softness of landscape bathed in fog, and the quieting mood of approaching darkness. My intent is to create paintings imbued with a meditative, spiritual presence suggesting issues about time and ecology. I do this by softly modulating color, tone and value. The color varies from quiet, monochromatic works to fully orchestrated chromatic ones. By blending from one hue to another I create color which makes its self gradually felt, weeping forth. In this manner, I create illusions of mysterious emanations of light, places where ones eyes and spirit are invited to linger. I try to imbue my work with a monumental presence, epic in both size and scope. I do this by orchestrating the separate elements of color, texture and structure into a harmonious whole. I seek a somewhat reductive image rich in value and contrast. The surface of the work is devoid of textural incidence. I don’t want anything to distract from the illusion of depth so I deny any marks which would hold the viewer on the surface of the painting. In my luminescent multi- paneled oil paintings I try to find the grey area between traditional landscape painting and its abstraction into color fields. The compositions are about ambiguities of form and void, foreground and background and surface and deep space. My roots lie in tonalism, color field painting and minimalism. However, my work contains an ever-present awareness of the dramatic use of light of the post-renaissance chiaroscurists. It combines a classical awareness of structure with a romantic use of color always in combination with a unique sense of ambiguity. My work continues in its evolution of style the search for an abstract means of probing the ambiguities of physical and spiritual experience of light, and its power to foster a more intense life of the spirit through profound emotional experience of form, color and composition. SELECTED PUBLIC COLLECTIONS K.U. Medical Center, Wichita, KS Museum of Art & Archeology University of Missouri, Columbia, Missouri Hoecht Marion Roussel (Commission), Kansas City, Missouri FBL Financial Group, Des Moines, IA Kemper Museum of Contemporary Art, Kansas City, Missouri Wichita Center for the Arts, Wichita, Kansas Daum Museum of Contemporary Art, Sedalia, Missouri The Newark Museum, Newark, New Jersey St. Louis Art Museum, St. Louis, Missouri Springfield Art Museum, Springfield, Missouri Mildred Lane Kemper Art Museum, Steinberg Collection, Washington University, St. Louis, Missouri Arkansas Art Center, Little Rock, Arkansas College of Architecture and Design, Kansas State University, Manhattan, Kansas Fort Hays, Kansas State University, Hays, Kansas Memorial Union Collection, University of Missouri, Columbia, Missouri Norman R. Eppink Art Gallery, Emporia State University,, Emporia, Kansas Hutchinson Community College, Hutchinson, Kansas Johnson County Community College, Overland Park, Kansas Lincoln College, Lincoln, Illinois State Fair Community College, Sedalia, Missouri Hallmark Cards Inc., Kansas City, Missouri Sprint Corporation, Kansas City, Missouri MacGraw Hill Publishing Co., New York City, New York Pioneer Hybrid, Des Moines, Iowa Pella Corporation, Pella, Iowa Fort Smith Public Library (Commission), Fort Smith, Arkansas Deloitte & Touche (Commission), St. Louis, Missouri Publishing Enterprises, Inc. (Commission), Sedalia, Missouri Parks & Recreation Department, Columbia, Missouri United Telephone Systems, Inc., Kansas City, Missouri American Family Doctors, National Headquarters, Kansas City, Missouri DST Corporation, Kansas City, Missouri Crown Center, Hallmark Art Collection, Kansas City, Missouri Hewlett Packard Corporation, St. Louis, Missouri Emerson Electric (Commission), St. Louis, Missouri Mark Twain Bank, Creve Coeur, Missouri Boone County Bank, Columbia, Missouri Landmark Bank, Madill, Oklahoma Septagon Industries (Commission), Sedalia, Missouri KEO Building Corporation (Commission), Sedalia, Missouri D & W Leasing, Sedalia, Missouri 1st National Bank, Rockford, Illinois Mark Twain Bank Shares, Ladue, Missouri Bank of Olathe, Olathe, Kansas Blue Cross/Blue Shield of Missouri, St. Louis, Missouri Cessna Aircraft...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Magnolias (diptych)By Carlyle Wolfe LeeLocated in Atlanta, GA"Magnolias (diptych)" is a large scale nature-inspired abstract painting featuring hues of cool grey. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natura...Category
2010s Abstract Abstract Paintings
MaterialsOil, Panel
- Solent No.25, Oil, painting, Musician, Dire straits, British, abstract, aerialLocated in Knowle Lane, CranleighSolent No.25 is an oil on canvas showing a section of the landscape, painted from an aerial perspective by Artist & Musician John Illsley. The artwork comes signed and framed. As th...Category
2010s Abstract Geometric Landscape Paintings
MaterialsOil
- Heather, Hillside, Wild FlowersLocated in Manchester, GBMatthew Bourne derives his work from his passion for metaphysical concepts such as sight, sound, and emotion. As a result, Bourne argues that his abstra...Category
2010s Abstract Abstract Paintings
MaterialsOil
- Abstract English Impressionist landscape with sunlight river and trees by a bankBy Charles Bertie HallLocated in Woodbury, CTAn English landscape painting of a riverside scene in sunlight with an abstracted river effect. Whilst painted mostly in the UK and America Hall also painted throughout Europe and o...Category
2010s Abstract Landscape Paintings
MaterialsOil
- Street - Abstract Painting Canvas Colors Red Green Blue Grey White Pink BlackBy Nina RusevaLocated in Sofia, BGStreet - abstract painting by Maestro Nina Ruseva. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. T...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil