Henry Lamb

Large Post Impressionist Oil Portrait of artist's daughter Henrietta Phipps

1956

I have just taken this painting back into stock. It was painted back in the 1980,90s and the location is a meadow at Priors Halton so it is looking towards Clee Hill. (Near Ludlow i...

"Day at the Beach" Oil on Canvas, laid on board, Signed and Framed by Rene Jerome Legrand (Born 1953) This is a super oil painting by Legrand which has employed his more muted colou...

WILLIAM LEE HANKEY British 1869-1952 Oil Painting on canvas mounted on stretchers and framed in a traditional Impressionist style handmade frame. This painting has been in a privat...

Fletcher Sibthorp is an English Painter who specialised in Figurative works, most especially Ballet and other Dance genre's. Since graduating from Kingston School of Art, Sibthorp h...

Large Nude Lady Oil painting on canvas, mounted on Stretchers and Framed. Large seated figure of a nude Lady with red background and bright colourful paint application. "Red Nude...

​ JOHN ROBERTSON REID RBA, ROI, RI ​ British 1851 – 1926 “Harvest of the Sea” Oil on canvas, Signed and Framed. John Robertson Reid was born in Edinburgh and studied at the Royal Scottish Academy schools before moving to Cornwall and later London. He became interested in the social-realist movement; probably influenced by Bastien-Lepage and in 1879 his “Toil and Pleasure” was hung in the Royal Academy and bought by the Chantrey Bequest. He continued to exhibit at the Royal Academy and at the Royal Society of British Artists and also the Royal Institute, he was a member of all three Institutes. Reid’s subjects – field workers, humble people – were similar to those of Bastien-Lepage, but his handling of the paint was more dynamic and reflected his training at the Scottish Academy under Chalmers and McTaggart. He was also a good colourist, and some of his coastal scenes with fishermen and women in the foreground, have rich blues and greens, of which ours is a typical example. Reid was also a fine watercolourist in a breezy style similar to that of David Cox. Not all his work was about hard work he also painted rural people at rest or playing cricket and was always capable of brilliant work; his Venetian...

Quang Ho's (US based) "Figure in Gold Abstraction" is an original, handmade oil painting that depicts a pale nude female model sitting among rumpled white fabric as she delicately pl...

Striking Fauvist portrait with a vibrant, high voltage color palette, featuring a green woman with red hair by Sydney Helfman (American, 1926-2010). Aut...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

This painting is the most important in the series “The Return of the Forces of Light”. We see a shining army returning with all its might to our world after a long absence, carrying ...

Striking and colorful mid century Fauvist portrait of a man by Sydney Helfman (American, 1926-2010). The expressive and vibrant color palette, a signatu...

Constantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...