Items Similar to Late 17th century portrait of a French princess, daughter of Louis XIV
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Late 17th century portrait of a French princess, daughter of Louis XIVcirca 1695
circa 1695
About the Item
Portrait of Françoise Marie de Bourbon, Duchess of Orléans as Venus
A magnificent painting depicting the princess in all the splendour of her youth, Françoise Marie de Bourbon, known as the second Mademoiselle de Blois (Maintenon, 1677 - Paris, 1749), daughter of Louis XIV and Madame Montespan, future wife of the Regent.
Late 17th century, circa 1695
Pierre Gobert (Fontainebleau, 1662-Paris, 1744) and his workshop
Oil on canvas
Dimensions: h. 109 cm, w. 92 cm (42.91 in x 36.22 in)
Important 19th century Louis XIV style giltwood and gilt stucco stucco finely carved with foliage and scrolls.
Framed dimensions: h. 142 cm (55.9 inch), w. 126 cm (49.61 inch)
The princess is portrayed full-length seated on a chariot pulled by two doves floating in the sky.
Her slender face is draped in an ample antique blue dress, tied at the waist by a golden belt in allusion to the attribute of Venus (the belt of Venus gives the wearer an irresistible power of seduction). The cloth falls back and reveals her bare breast.
She holds the reindeer of her chariot in her right hand, while her left hand holds up a large flowing cloth, which serves as a canopy.
With her head slightly bowed, she looks at the viewer with confidence and assurance. The hairstyle, arranged in a high bun à la Fontanges whose curls are held in place by a diadem with a large ruby; It ends with long locks falling over the shoulder and nape of the neck, while on the front two loops frame the forehead. The oblong face with wide blue eyes, long nose and rosy full cheeks combined with porcelain skin indicate the young age of the princess.
The composition breaks with the tradition of Baroque ceremonial portraits dear to Louis XIV, solemn figures with heavy theatrical draperies, brocade and velvet dresses and countless jewels, signs of external wealth.
Thus, far from conventional representations, here the light and fluid fabrics in fresh colours associated with a natural environment highlight the model and the person portrayed, placing status or social hierarchy in the background.
Related works:
• Portrait of Françoise-Marie de Bourbon in Amphitrite, Palace of Versailles, inv. MV3739, h. 125 cm, l. 11 cm
• Portrait of Mademoiselle de Clermont on a chariot drawn by doves, Château de Chantilly, INV. n° 657, h. 93 cm, l. 73 cm. The identification of the model is erroneous, it is certainly Françoise Marie de Bourbon
• Portrait of Françoise-Marie de Bourbon in Galatea, Christie's New York auction, 23/01/2004
Curiously, none of these three versions is strictly identical, if the portrait at Versailles depicts the princess as Amphitrite on the waters, the figure and drapery are identical to our painting. At the same time, the portrait of Chantilly represents the princess as Venus on her chariot (identical position to our portrait), yet the arrangement of the drapery is not similar and is identical in the portrait at the Christie's sale where she is again in Galatea on the waves. This interchangeability is very characteristic of Pierre Gobert, who often worked on the same model, multiplying variants and versions according to orders.
Pierre Gobert (1662-1744)
Son of Jean Gobert, sculptor to the King, grandson of Jean Gobert the eldest, carpenter sculptor, brother of Jean Gobert, known as the "ordinary painter to the King" Pierre Gobert was born in Paris or Fontainebleau in 1662. He established himself by his elegant effigies as one of the very first gallant portrait painters. Received at the Academy of Painting on September 24, 1701, with the portraits of Corneille van Clève and Bon Boullogne, Pierre Gobert exhibited fifteen portraits at the Salon of 1704, and demonstrated its privileged access to the court: among these portraits are that of the Duchess of Maine and the little Duke of Brittany, the future Louis XV. Despite formidable competition, he had no difficulty in establishing his reputation. No doubt thanks to Elisabeth-Charlotte, Gobert was approached by the court of Lorraine in 1707, in order to paint the portrait of the Dukes of Lorraine, Elisabeth-Charlotte of Orléans and the four princesses. An impressive set of seventy portraits including original effigies and many replicas. It is likely that Gobert developed a studio during this period, since he seems to have operated back and forth between Paris and Lorraine, and even had portraits sent from Paris. Gobert thus obtained the title of ordinary painter of the Duke of Lorraine, and continued to deliver portraits to the court, notably in 1719 and 1721. He thus participated in the artistic influence of the court of Lunéville, which sought to be part of the wake of Versailles.
Back in Paris, on the strength of this prestigious introduction, which he took advantage of by bearing the title of “ordinary painter to the Duke of Lorraine”, Gobert then worked for the Condés and the Contis, and for the Prince-Elector Max Emmanuel of Bavaria. In 1737, the painter shone for the last time by presenting at the Salon one of his most ambitious portraits, that of the family of the Duke of Valentinois (Monaco, prince's palace). By the choice of his somewhat fixed attitudes, by the affected and graceful disposition of the fingers of his female models, by the use of historical travesties, by the depersonalized and flattering type of his resolutely placid faces, Gobert had managed to create thanks to his relentless and recognized work, a style which contrasted with the works of Largillierre and Rigaud, his contemporaries.
- Attributed to:Pierre Gobert (1662 - 1744, French)
- Creation Year:circa 1695
- Dimensions:Height: 55.9 in (141.99 cm)Width: 49.61 in (126.01 cm)
- Medium:
- Movement & Style:
- Period:Late 17th Century
- Condition:Very good original condition, cleaned and revarnished by our professionnal art restorer.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433214105302
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
7 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Louis XIV and his army at the crossing of the Rhine by Adam-Frans van der MeulenBy Adam Frans van der MeulenLocated in PARIS, FRAdam-Frans van der Meulen (Bruxelles, 1632 - Paris, 1690) Louis XIV and his army at the crossing of the Rhine 12 June 1672 Signed A.F VANDERMEULEN at the right low corner Oil on can...Category
1670s Old Masters Landscape Paintings
MaterialsCanvas, Oil
- Jean-Marc Nattier (1685 - 1766) - Portrait of Charlotte de Hesse-RheinfelsBy Jean-Marc NattierLocated in PARIS, FRJean-Marc Nattier (Paris, 1685 - 1766) and his workshop Portrait of Charlotte de Hesse-Rheinfels Oil on canvas : h. 44.09 in, w. 38.19 in 18th century carved giltwood framed Fra...Category
1730s Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Nicolas de Largillière - Portrait of a Lady, Paris, circa 1695By Nicolas de LargillièreLocated in PARIS, FRNicolas de Largillière (Paris, 1656-1746) Portrait of a lady, circa 1695 Oil on canvas (relined): 76 x 61 cm Framed: h. 97 cm, l. 82 cm To be included in the forthcoming catalogue ra...Category
1690s Old Masters Figurative Paintings
MaterialsCanvas, Oil
- A 17th c. Italian school, Capriccio with the Colosseum, circle of V. CodazziLocated in PARIS, FRA capriccio with the Colosseum in Roma 17th century Italian school Circle of Viviano Codazzi (1604-1670) Oil on canvas Dimensions: h. 35.43 in, w. 51.18 in Modern 17th century style ...Category
17th Century Old Masters Landscape Paintings
MaterialsCanvas, Oil
- Adoration of the Shepherds, attributed to Louis de Caullery, early 17th centuryLocated in PARIS, FRAdoration of the Shepherds Attributed to Louis de Caullery (1580-1622) 17th century Antwerp School, circa 1620 Oil on copper: h. 54 cm (21.26 in.), w. 72 cm (28.35 in) A 17th century...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsCopper
- Cercle of Ambrosius Francken, Adoration of the shepherds, 17th century AntwerpLocated in PARIS, FRAdoration of the shepherds, Cercle of Ambrosius Francken, Early 17th century Antwerp school Oil on oak panel: h. 55 cm, w. 43 cm (21.65 in x 16.93 in) 17th c. ebonized and moulded f...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
You May Also Like
- Figure Ice Skating In Hyde Park, 18th Century Philip Jakob II DE LOUTHERBOURGLocated in Blackwater, GBFigure Ice Skating In Hyde Park, 18th Century Philip Jakob II DE LOUTHERBOURG (1740-1812) Fine huge 18th century Old Master morning frozen winter landscape of figures skating at Hyde Park, oil on canvas. Stunning large scale superb quality and condition winter scene with figures skating on the frozen water. Though unsigned the style and detail is unmistakably De Loutherbourg with a very similar composition currently held in the UK Government Art Collection (Whitehall & Downing Street...Category
18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- 18th century Portrait of a young girl, Miss Cator in a landscape, white dressBy John RussellLocated in Woodbury, CTPortrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...Category
1780s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th Century by Matteo Bonechi Presentation of Jesus Painting Oil on CanvasLocated in Milano, LombardiaMatteo Bonechi (Florence 1669 - Florence 1756) Presentation of Jesus Oil on canvas, cm. 75 x 49 – with frame cm. 89,5 x 65 Shaped, carved and gilded wooden box frame Expertise: Sandro Bellesi Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 20, 21. The present painting is a very interesting testimony of the creative process of Matteo Bonechi, one of the leading artists on the Tuscan art scene in the early 18th century. The canvas in question is in fact the last preparatory model made by Bonechi before he executed an altarpiece for the church of San Filippo Neri in Cortona in 1716. The scene presented here is that of the Presentation of Jesus, when, forty days after his birth, the child is ransomed through an offering in the temple and placed in the hands of Simeon, who prophesies his future: the coming of the Messiah...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- 17th Century by Simone Cantarini Adoration of The Magi Painting Oil on CanvasLocated in Milano, LombardiaSimone Cantarini (Pesaro 1612 - Verona 1648) Adoration of the Magi Oil on paper applied to canvas, cm. 16,5 x 24 – with frame cm. 22 x 29 Antique sh...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Cotton Canvas, Oil
- 17th century Flemish Old Master - A young boy enjoying a pie, allegory of tasteLocated in Antwerp, BE17th century Flemish old master painting, Allegory of taste The very fine painting depicts a young boy, cheekily tasting a delicious pie. He's looking at the viewer with eyes twinkl...Category
17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- The Inappetent Owl - Grotesque Scene with Owl and Swan - Late 17th CenturyLocated in Roma, ITTwo masterpieces by the Master of the Fertility of the Egg, nearly impossible to find in homogeneous pairs on the private market, both in terms of style and dimensions. They represen...Category
Late 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Antique Bourbon
Bourbon Art
French Baroque Art
Bourbon Sign
Painting Of A Chateau
Painting Of French Chateau
Auction Masters Art
17th Century French Painting
Princess Antique
N Pierre
17th Century Fabric
Salon Style Set Of Art
Antique Portrait Light
Head Of Youth
French Baroque Painting
French 17th Century Louis Xiv
French Painting Monaco
Old Masters For Sale