Suthamma (Ta) Byrne

Egg Girls on a bike

2024

Each of the Lovers comes from Ta's memory and imagination, "my feelings, my memories, some good, some not so good, but I try to focus on the good ones, a dance I remember, a hug afte...

Ta's collection of conspirators is full of mischief and secrecy. Each character is always up to something naughty or scheming a dodgy deal, "I want a desperado feel to it, moody as i...

In this oil painting, I've blended abstract, figurative, and surreal elements to capture the fluid motion and raw emotion of an intimate dance. The intertwining forms, awash in shade...

As the artist, I've poured my soul into this canvas, blending oils to evoke a sense of enigmatic allure and surreal wonder. With each stroke, I've strived to weave a narrative that t...

Unlike many surrealists, who present their dreams, the central subjects of Ta’s work are people and bold colours. Her work opens up new art dimensions to explore. Her Blue Valentine ...

02 / 10 / 2023 I signed a book contract for Egg Island; it will now go through the publishing process and will be in print next year. I was overwhelmed by the editorial board's fee...

Philip Campbell Curtis American 1907 - 2000 Reflections Oil on board, signed and dated 1960 Image size: 12 ½ x 5 ½ inches Original frame

An image of a horned devil with pointy claws and bat-like wings emerges from a Voodoo drum. He has with arms stretched out like a Christ figure. The drum grows out of a yellow plant-...

In this painting, the painter tries to portray the young sleeping, lying and oversized figure of a woman as part of the landscape. Who likes to be this person and what is she doing i...

Surrealistic artwork by Sofia Fotiadou, from the series "Inside". Signed by the artist at the bottom left corner. Certificate of authenticity is provide...

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell a painting...