Unknown

House of Deceit, Paperback Cover

1955

Date: 1993 Medium: Acrylic on Canvas Dimensions: 30.00" x 21.25" Signature: Signed Lower Left This painting was published as the cover for The Awakening Heart by Dorothy Mack, Signe...

Medium: Oil on Canvas Dimensions: 22.70" x 30.70" Signature: Signed Lower Right "Derry was saying good-bye to the studio." Story illustration for "Hurdy-Gurdy" by Margaret Bell Hous...

Date: 1932 Medium: Oil on Canvas Sight Size 30.00" x 22.00", Framed 38.00" x 30.00" Signature: Signed Lower Right Saturday Evening Post Cover, October 1, 1932. Exhibitions: Christi...

Medium: Oil on Canvas Signature: Signed J. F. Kernan Lower Left Country Gentleman Magazine Cover, March 25 1932

Medium: Oil on Canvas Sight Size 13.00" x 10.00", Framed 21.00" x 18.00" Signature: Signed Lower Right

Date: 1924 Medium: Oil on Canvas Dimensions: 26.00" x 24.00" Signature: Signed Lower Left, Dated Verso, '24

Scott Harbison grew up in northern New Jersey, and had an early fascination with cartoons. Somewhat introverted, he seemed to daydream his way through ...

Original mixed media painting on rubber - canvas type material. Unsigned. Artwork size 9.25 x 8.25 inches. Frame size approx 15 x 14 inches. Artwork is in excellent condition. C...

In his couture series, Peter Hoffer explores the theater of fashion through a reinterpreted runway. In this mixed media painting, a realistically rendered model for the Italian luxur...

Among my swan, 2018 by Ramonn Vieitez Oil, enamel, acrylic, latex on canvas Size: 39.4 H x 27.6 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught B...

Mario Schifano (Homs 1934 – Roma 1998), Futurismo rivisitato (1972 – 1976) Smalto spray su tela di cm 100 x 120 in perspex policromo firmato Schifano. L’opera risulta archiviata ...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...