Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Nick Savides
High Line – Looking West, Oil Painting

2021

About the Item

Artist Comments
"The setting is on the High Line, above West 22nd Street on a chilly October afternoon," says artist Nick Savides. A woman sits on a bench looking west, toward the Hudson River. The composition is dominated by the receding diagonals on the right, drawing the viewer's attention towards a glimpse of the water. "I was particularly interested in the design of the gray High Line wall and the light and shadows."


About the Artist
Nick learned to paint from his mother when he was a child, but it wasn’t until college that he decided to be a career artist. His realist images of New York City are inspired by the drama of the city–the changing light, the spontaneous magic. Nick begins his process with reference photographs from his daily life, often shooting the same scene at multiple times of the day. He brings the images back to his Brooklyn studio where he composes a scene in Photoshop, adding and subtracting elements from multiple photographs to achieve the perfect composition before beginning to paint. “As my artwork is realistic, one might be tempted to think they are copies from nature,” says the artist. “Really, they are composed–every detail is considered. It is a balance between what is seen, what is true to nature, and what can make a good painting.”


Words that describe this painting: Hopper, Hopperesque, NYC, New York, cityscape, figure, figurative, realism, High Line, buildings, architecture, facade, woman, people, afternoon, shadow, sunlit, small, oilpaint, windows, bridge, smallspaces, architecture, realism, oil painting, orange


High Line – Looking West
Nick Savides
Oil painting on stretched linen
Finished white edges
Ready to hang
One-of-a-kind
Signed on front
2021
12 in. h x 9 in. w x .75 in. d
1 lbs. 7 oz.


  • Creator:
  • Creation Year:
    2021
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)Depth: 0.75 in (1.91 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    High Line – Looking West. Nick Savides. Oil painting on stretched linen. Finished white edges. Ready to hang. One-of-a-kind. Signed on front.
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: 729361stDibs: LU92219455462
More From This SellerView All
  • West 14th Street at Sunset, Oil Painting
    By Nick Savides
    Located in San Francisco, CA

    Artist Comments
    "This painting was inspired by the dramatic lighting and shadows receding into West 14th Street at sunset," says artist Nick Savides...

    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil

  • Little Island Tulips at Sunset, Oil Painting
    By Nick Savides
    Located in San Francisco, CA

    Artist Comments
    "This is a view of the underside of Little Island, an artificial park designed by Thomas Heatherwick off the West Side of Manhattan," shares artist Nick Savides...

    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil

  • The Corner Deli
    By Nick Savides
    Located in San Francisco, CA

    Artist Comments
    The setting is the Corner Deli on Kenmare Street in Soho, New York, across the street from Lt. Petrosino Square. I was interested i...

    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil

  • Handball Court, Oil Painting
    By Nick Savides
    Located in San Francisco, CA

    Artist Comments
    Artist Nick Savides presents a realistic scene of Sara D. Roosevelt Park on the Lower East Side. Kids play ball in the background as Nick focuses on the empty c...

    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil

  • High Line a Emerging Spring, Oil Painting
    By Nick Savides
    Located in San Francisco, CA

    Artist Comments
    Artist Nick Savides captures the beauty of the High Line, above West 25th Street on a stunning spring afternoon. He paints the trees...

    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil

  • Summer Evening, Oil Painting
    By Nikolay Rizhankov
    Located in San Francisco, CA

    Artist Comments
    Colorado summer evening. A couple walks a path alongside a pond while their dog plays by the water. Warm light from the right illuminates the house and surrou...

    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil

You May Also Like
  • In the Studio, Large Painting by John Winslow
    Located in Long Island City, NY
    A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).
    Category

    1970s American Realist Figurative Paintings

    Materials

    Canvas, Oil

  • "Little Girl and Dog on Shovel" blue white trompe l'oeil oil painting of antique
    By John Morfis
    Located in Sag Harbor, NY
    "Little Girl and Dog on Shovel" is a blue, white and red trompe l'oeil oil painting of a child's beach shovel. Morfis' incredible realism contrasts the qua...
    Category

    21st Century and Contemporary American Realist Still-life Paintings

    Materials

    Oil, Panel

  • Drugs
    By Danny Heller
    Located in Fairfield, CT
    Represented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architect...
    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Canvas, Oil

  • Jim's Steaks -- Original Oil Painting -- Please watch attached video
    By Mark Schiff
    Located in Boca Raton, FL
    Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...
    Category

    Early 2000s American Realist Still-life Paintings

    Materials

    Canvas, Oil

  • An American Still Life of an Apple, Pear and Grapes circa 1880s
    Located in SANTA FE, NM
    An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...
    Category

    Late 19th Century American Realist Still-life Paintings

    Materials

    Canvas, Oil, Board

  • "Red Sand Shovel" contemporary trompe l'oeil oil painting of antique object
    By John Morfis
    Located in Sag Harbor, NY
    "Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...
    Category

    21st Century and Contemporary American Realist Interior Paintings

    Materials

    Oil, Panel

Recently Viewed

View All