John Joseph Hanright

Ageless Beauty

World-renowned artist. Butterfly theme. Very vibrant colors. About the artist: Punk Me Tender (b. 1982) is a French street artist whose bright...

Homage to Chanel No. 5 perfume. Conceptual. Pop Art. Produced on wood. Depth about 2 inches. Layered resin finish creates cool sheen. The sides are also part of the art. A...

Vibrant circular piece. Acrylic on wood panel, with aluminum flower and butterfly. Finished with resin. Artist's signature style. About the artist: Punk Me Tender (b. 1982) i...

Vibrant circular piece. Acrylic on wood panel, with aluminum flower and butterfly. Finished with resin. Artist's signature style. He is collected...

Abstract geometric painting on canvas. About the Artist: My text based paintings build upon the theme of myth vs. memory, which has been the f...

Abstract Painting. Can be hung vertically or horizontally. Vibrant Colors. The surface is the result of an intriguing contrast. Acrylics glazed with resin. The acrylic’s softnes...

Optimistic As Fuck c. 2018 Signed, lower right edge Acrylic and mixed media on canvas with heavy resin 48 x 48 inches (121.9 x 121.9 cm) Contact gallery for price. This work is o...

Bullseye Ephemera, acrylic, resin on panel, vintage magazines Size 36"x36" About John Joseph Hanright John Joseph Hanright is an American contemporary artist recognized for his ...

This Unique painting is made with mixed media. Alkyd paint, Acrylic paint and layers Epoxy Resin. The painting is made in multiple layers you can see through. With a marvelous effect...

Turquoise, pink and mauve are washed over a classical forested landscape in this horizonal composition by Canadian painter Peter Hoffer. The painting...

This is an elegant yet modern and abstract work of art. The two artists were inspired by the ups and downs in life. How there is always a light shinning at the end of the tunnel and ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...