Ben Fenske

Abandoned House

2011

"Ta Som, Angor Wat" is a plein air oil painting of the Buddhist Temple in Cambodia. The painting has earth tones and was painted in the shade, no doubt to escape the heat while tryin...

A painting of boats docked in a harbor. Loose brushstrokes in the lower lefthand corner indicate ripples in shallow water, shades of green and teal. The water becomes a deeper richer...

Fenske painted this quiet Sagaponack beach on Long Island, NY en plein air. Framed Dimensions: 35.5 x 51 inches Artist Bio Ben Fenske (b. 1978) although a native of Minnesota, and...

An oil painting of high tide at Spooners Cove, California. Artist Bio Joseph Paquet, while pursuing a Bachelor of Fine Arts at the School of Visual Arts in New York, had the good fortune of finding mentors in artists James McMullan and John Foote who opened his eyes to the joys of drawing the human figure. After graduating, Paquet met another major influence in his life, John Osborne, who was uniquely gifted artist and teacher. Osborne believed that a landscape painting should begin on location, but that its poetic essence should be completed in the solitude of the artist's studio. Paquet experienced a demanding and rewarding apprenticeship, in which he learned to fuse field studies with the image he could see in his mind's eye. Increasingly however, Paquet is creating most of his work from life, believing that the direct correspondence with nature increases the potential for greater feeling. "Intellect, he says, doesn't keep one warm at night." He has been featured in the Washington Post Sunday Magazine, The Artist's Magazine, American Artist, Southwest Art and Plein Air Magazine. Paquet's awards include both Artist's Choice and Collector's Choice from The 2007 Laguna Beach Plein Air Invitational as well as the 2008 Alden Bryan...

An oil painting of a marina at night. Lamp-posts glow with vibrating energy, creating luminous yellow auras rippling throughout. Tim McGuire is classically...

"Breathe Deep II" is a contemporary realist landscape painting of California cliffs painted en plein air. Blue-green waves roll in toward the foreground filled with sand-colored roc...

"Noah's Ark", Monkeys in Trees w. Crocodiles, Richard DeTreville 1924 San Mateo A lively, large-scale vertical painting of Macaques monkeys in the trees abo...

Hasmut focuses on painting figure, portrait and still live and puts a strong emphasis on a composition by transforming all necessary ingredients such as: color, texture and light int...

"Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekking through the northeast in th...

Old town on the Bay in Baja Mexico Original Oil painting on Linen by Palavicini Old Village in Baja Mexico by unknown Mexico artist Palavicini. (Mexico 20...

Mid Century Dutch Windmill Original in French Impressionist Style Colorful French impressionist style oil painting by F. Simont (Dutch 19th/20th Century), circa 1950. Boat anchored ...

High Sierras Log Cabin Lodge Original Oil Painting by J. Bond Francisco Early 1900s era impasto painting of the High Sierras and a Log Cabin Lodge by California artist John Bond Francisco (American, 1863 - 1931). Well painted landscape of early 20th century California High Sierras will lush green grass and California Poppies. Signed lower right "J. bond Francisco." Presented in a newer, custom, giltwood frame. Image, 12"H x 16"W Frame 23.5"H 19.5"W x 1.25"D John Bond Francisco was born in Cincinnati, OH on Dec. 14, 1863. From an early age Francisco was drawn to both music and art. He studied the violin with Hermann Eckhardt and painting at the Cincinnati Art Academy for several years. He arrived in Los Angeles in 1887 and was so taken with the beauty of the place, he opted to make it his home. He soon continued his studies in Berlin, Munich, and in Paris at Académies Julian and Colarossi under Courtois, Bouguereau, and Robert-Fleury. While in Europe he studied the violin in the morning hours and painting in the afternoon. Upon returning to Los Angeles in 1892, he married and built a home at 1401 Albany Street where he lived for the rest of his life. Combining an art and music career, he helped form the Los Angeles Symphony Orchestra in 1897 and served as their first concert master. While teaching music and art at his studio, he made painting excursions into the surrounding countryside, often with his pupil Elmer Wachtel. He combined his Munich technique with that of the Barbizon's influence to produce paintings of California deserts and mountains that held dramatic light and shade contrasts. Later his palette brightened and he leaned more toward Impressionism. Francisco's studio in the Blanchard Bldg and his home were a mecca for both painters and musicians until his death on Jan. 8, 1931. Member: American Artists Club (Munich); Calif. Art Club; Laguna Beach AA; Painters & Sculptors of LA; Athletic Club (LA); LA AA. Exh: Calif. Bldg, World's Columbian Expo (Chicago), 1893; Chamber of Commerce (LA), 1894; Ruskin Art Club (LA), 1902-04; Blanchard Hall (LA), 1907; Alaska Yukon Expo (Seattle), 1909 (gold medal); Hallett Gallery (LA), 1910; Daniell Gallery (LA), 1912; LACMA, 1914; Friday Morning Club (LA), 1915; Biltmore Salon (LA), 1925. In: UCLA; LACMA; Orange County (CA) Museum. Edan Hughes, "Artists in California, 1786-1940" Out West, Sept. 1913; Graphic, 3-10-1918; Who's Who in the Pacific Southwest...