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Carl WuermerLate Summer, 19241924
1924
About the Item
A fine impressionist landscape with a cottage by German / American artist Carl Wuermer (1900-1983). Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League. In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City. Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. His technique for painting was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
Oil on canvas, signed and dated 24 lower right, titled on verso McColl Fine Art (Charlotte NC) gallery label “Late Summer, 1924,” and housed in a decorative molded giltwood frame, with minor touchups and losses. Dimensions: 26.25 in H x 28 in W, actual; 36 in H x 37.88 in W x 2.5 in D, framed. Ref: 7
- Creator:Carl Wuermer (1900-1981, American)
- Creation Year:1924
- Dimensions:Height: 36 in (91.44 cm)Width: 37.88 in (96.22 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition, with minimal imperfections. Please contact us directly for a full condition report before purchasing.
- Gallery Location:Milford, NH
- Reference Number:
Carl Wuermer
Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas. Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League. In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City. His technique for painting was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
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