Edward Penniman

Davenport, California Seascape

1991

Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

A secluded ancient site with lush foliage overlooking a brilliant blue cove is the subject of this watercolor triptych combined in single framing by artist Isabel McCauley...

Vibrant watercolor of three fishing boats by Cora Alice Akers Wright (American, 1908-1992). which are anchored in a small body of water. Signed...

Gorgeous watercolor winter landscape of Yosemite's Tuoloumne Meadows by Dorothy Watkeys Barberis (American, 1918-1998). Unframed. Signed "Barberis" lower right. Image size, 12"H x 15"L. Dorothy Barberis was born on September 20, 1918 in Newport News, Virginia. National Association Women Artists, National Arts Club, Salmagundi, New York Artists Equity, Mid-West Watercolor Society, Southwest Watercolor...

Wonderful 1930s watercolor California landscape with iconic palm trees by Santa Cruz artist Margaret E. Rogers (American, 1872-1961). Titled "Palm Trees" and signed "Margaret Rogers" on verso. Presented in a wooden frame. Image, 14"H x 12"L. Born in Birmingham, England on May 1, 1872, the Rogers family immigrated to California in 1875 and established a prosperous sheep ranch in Monterey County. In her youth Margaret was known as one of the finest horsewomen in the West. The magazine Western Woman...

Vibrant California landscape consisting of pink and gold rolling hills, oak trees, and a body of water in the foreground. Signed twice, by the artist in the lower right corner, once ...

Benjamin Cameron spent 48 years teaching students in Columbia across three different colleges. His own works still hang on the walls around the community and tell a greater story of ...

A fine gouache painting of a Southern landscape by American artist Beatrice Lavis Cuming (1903-1975). Cuming was born in Brooklyn, NY, studied lo...

"Homestead" is a regional, American landscape by Pennsylvania Impressionist and New Hope School painter Harry Leith-Ross. The painting is a 14" x 19" watercolor on paper, signed "Lei...

Alice Schille Old Adobe Village, New Mexico Signed lower right Watercolor on paper 5 x 6 inches Provenance: Estate of the artist Keny and Johnson Gallery, Columbus, Ohio Santa Fe East Galleries, Santa Fe, New Mexico Private Collection, California A painter in watercolor and oil, Alice Schille was a prolific artist using modernist styles of Post-Impressionism, Pointillism and Fauvism. Her subjects included portraits of women and children, landscapes with and without figures, a series of scenes of New York City. New Mexico, and Gloucester, Massachusetts. Her paintings also reflected her widespread international travels in Europe, North Africa, Russia, the Middle East, Mexico, and Guatemala. Although personally very shy, Schille possessed unusual courage and strength of will, which was reflected in both her independent lifestyle and in her work, as she continually worked to master new modes of painting throughout her career. A German critic once referred to Schille as "this daredevil disciple of art who is interested in anything and afraid of nothing." Alice Schille was born in Columbus, Ohio to a family supported by her father's success in manufacturing. She was raised in Columbus, and by the time she was age six, she determined to be an artist. She graduated at the top of her class from Central High School in 1887, studied from 1891 to 1893 at the Columbus Art School, and returned there as a teacher from 1902 to 1948. Going to New York City as a young woman, she enrolled in the Art Students League from 1897 to 1899 and then the New York School of Art with William Merritt Chase and Kenyon Cox. (Some years later, she attended Chase's Shinnecock Summer School on Long Island). From 1903 to 1904, Alice Schille was in Paris at the Academie Colarosi, and also studied privately with Raphael Collin, Rene Prinet, Gustave Courtois and Chase, who was then in Europe. In 1904, five of her paintings were accepted for exhibition at Societe Nationale des Beaux Arts, and from that time on her work was included regularly in important American annual exhibitions including the Pennsylvania Academy, the Corcoran Gallery, American Watercolor Society, Boston Art Club, and the 1987 inaugural exhibition of the National Museum of Women in the Arts in Washington DC. Between 1905 and 1914, Alice Schille painted in Europe, and during the summers of 1916 to 1918, worked in New York and Gloucester. In 1919, she was in New Mexico. On this trip, her first to the Southwest, she spent a summer in Taos and Santa Fe and painted scenes including the Taos Pueblo, Canyon Road and local Hispanic and Indian figures. Reportedly the Ranchos de Taos Church was one of her favorite subjects. Many of these New Mexico paintings were hung at annual exhibitions of the Philadelphia Water Color Club. Between 1920 and 1940, she traveled frequently in the summers, returning to New Mexico and going to Central America and Africa. In 1922, she began her first series of North-African watercolors...

A watercolor painting by Charles Burchfield from 1931. A still life botanical painting of a skunk cabbage in natural setting. Signed and dated in lower right, beautifully matted and framed in gold ornate frame. The painting has an excellent provenance through top New York Galleries including DC Moore...

This piece is a playful depiction of a beach house scene of the ocean, sand, and view of a house with its garden with joyful colors and precious deta...