Felix Raoul Eteve

Large 1950's French Impressionist Signed Old Bridge over River Landscape

1950's

Artist/ School: Constant Dore (French 1883-1963), signed lower corner Title: The Village Street. Beautiful quality work showing influence from the Pont-...

Artist/ School: French Post Impressionist, after the earlier work by Paul Cezanne Title: Winter Woodland with House Medium: oil painting on...

Artist/ School: French School, Post-Impressionist/ Cubist style, circa 1940's period. Title: Red roof villages houses in a rural landscape with green & yellow fields. Medium: oil...

Artist/ School: by Mathilde ARBEY (French 1890-1966), signed lower left corner, atelier stamped verso Title: Elegant figures walking through a warm garden (most likely in the South ...

Artist/ School: Marie Louise Eber (French mid 20th century), signed lower front, dated 1958 verso. Title: "La Serenite", a beautiful Post-Impressionist m...

Artist/ School: French School, indistinctly signed, circa 1944 Title: Flowers and Fruit, remnants of old label verso Medium: oil on canvas, unframed Painting: 24 x 20 inches Prov...

Oil on canvas

French Mid Century late Fauvist oil on canvas Provencal landscape of Signes, South of France, by Olympe Silvy. Signed bottom right, annotated, titled and dated to the back stretchers...

Tinyan Chan captures the chill beauty of a forest with colorful fall foliage, blanketed with fresh white snow. The center of the composition features a da...

Original oil on canvas painting of a bucolic summer’s day. Beautifully executed with warm, rich tones and wonderful water reflections. The painting was painted circa 1935 by the well known artist, George Thompson Pritchard. Signed by the artist lower left. Condition is good; recently professionally cleaned. The painting is framed in its original gold leaf over carved wood period frame in very fine condition. Overall framed measurements are 34 by 39 inches. Provenance: Delray Beach Florida estate. Born in Havelock, New Zealand on April 11, 1878, George Thompson Pritchard studied in Auckland, New Zealand at the Academy of Art, at the Elam School of Art, and at the Melbourne Academy of Fine Arts in 1901. Upon arriving in San Francisco in 1906 in the aftermath of a devastating earthquake and fire, he produced many paintings during his three-year stay in the city. He then spent a few years in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam from 1911 to 1914. During World War I, Pritchard lived in Canada, New York City, and Richmond, VA. In addition, he lectured and exhibited at colleges and universities throughout the Southern United States. In 1935, he settled in Southern California and had studios in Glendale and Santa Monica. He taught art at his studio and exhibited regularly with the Glendale and Santa Monica Art...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is comparable to those of Jules Herve, Antoine Blanchard and Edouard Cortes. This painting is a wonderful example of his work from the prime of his career. Here you see the artists vendors selling paintings along the view of Notre Dame de Paris, located on the Île de la Cité in the 4th Arrondissement of Paris. People are scattered throughout between the tree lined street. The details are magnificent as Salabet captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The painting comes displayed in original frame with hanging wire and is signed lower left. Art measures 10.75 x 13.75 in Frame measures 16.25 x 19.25 in Jean Salabet was a pseudonym used by the Spanish artist Juan Bayón Salado (1913-1995) in the mid-20th century. Juan Bayón Salado (Jean Salabet) was born in Bilbao Spain on June 24, 1913. He settled in Paris between 1950 and 1969 and when using the pseudonym Jean Salabet between 1950 and 1957 he was mainly selling his works through Mr...

Ernest Fiene depicts Fifth Avenue looking down from 57th Street with an unobstructed view of the Empire State Building. The absence of newer glass and steel architecture gives the painting the charm of old New York. The artist captures a dark, moody blue sky as light bounces back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The people have somewhat of a zombie quality akin to George Tooker. Best viewed with a top and direct gallery light...