Items Similar to Fine 1800's Italian Tondo Oil Head & Shoulders Portrait of Man with Beard & Hat
Want more images or videos?
Request additional images or videos from the seller
1 of 4
19th Century Italian SchoolFine 1800's Italian Tondo Oil Head & Shoulders Portrait of Man with Beard & Hat19th
19th
About the Item
Portrait Of A Man,head and shoulders in profile
by Italian School, early 19th century
oil painting on papier mache forming the lid of a snuffbox, stuck down on panel, tondo
framed: 9 x 9.5 inches
panel: 6 x 5.25 inches
condition: overall very good
provenance: private collection, London
- Creator:19th Century Italian School
- Creation Year:19th
- Dimensions:Height: 9.5 in (24.13 cm)Width: 9 in (22.86 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU509311289612
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1989
1stDibs seller since 2016
3,566 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Cirencester, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Fine 17th Century Italian Old Master Oval Portrait of Lady on Copper Wooden FrmLocated in Cirencester, GloucestershirePortrait of a Lady (female saint?) Italian School, 17th century oil on copper, framed frame: 9 x 8 inches board: 5 x 4 inches provenance: private collection condition: very good and ...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
- Antique Spanish Old Master Oil on Wood Panel, Head Portrait of ChristLocated in Cirencester, GloucestershireArtist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...Category
18th Century Old Masters Figurative Paintings
MaterialsOil
- Antique British Oil Painting Portrait of William Shakespeare Fine Oil on CanvasLocated in Cirencester, GloucestershirePortrait of William Shakespeare British artist, 18th century oil on canvas, unframed canvas: 24 x 18 inches provenance: private collection, England condition: very good and sound con...Category
18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- Manner of Guido Reni (1575-1642) The Prophecy of Simeon Large Antique PaintingLocated in Cirencester, GloucestershireArtist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...Category
Mid-18th Century Old Masters Portrait Paintings
MaterialsOil
- 17th Century Dutch Old Master Oil Painting Oval Shape Figures in Tavern InteriorLocated in Cirencester, GloucestershireTavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
- Elegant Georgian Young Ladies Woodland Park Antique English Oil PaintingLocated in Cirencester, Gloucestershire'Morning Amusement' English School, circa 1800's after the painting by Sir Joshua Reynolds, British 1723-1792 oil painting on canvas, unframed please...Category
Early 19th Century Old Masters Figurative Paintings
MaterialsOil
You May Also Like
- A Rich Merchant - Painting by Unknown - 18th CenturyLocated in Roma, ITA rich merchant is an original old master artwork realized in the 18th Century. Mixed colored oil painting on canvas depicting a merchant looking at a coin in his left hand. Provena...Category
18th Century Old Masters Figurative Paintings
MaterialsOil
- 18th century Portrait of a young girl, Miss Cator in a landscape, white dressBy John RussellLocated in Woodbury, CTPortrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...Category
1780s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- Lucretia, by Giacomo Raibolini Francia. Detto il Francia. Oil on panel, framedLocated in Brooklyn, NYGiacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...Category
16th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
- 17th century Flemish Old Master - A young boy enjoying a pie, allegory of tasteLocated in Antwerp, BE17th century Flemish old master painting, Allegory of taste The very fine painting depicts a young boy, cheekily tasting a delicious pie. He's looking at the viewer with eyes twinkl...Category
17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Portrait of Jean-Baptiste Greuze, painted on linen by his daughter Anna GreuzeLocated in PARIS, FRThis replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. 1. Jean-Baptiste Greuze Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. Upon his return to Paris, Greuze became a prolific painter, participating widely in the Salons held between 1759 and 1765, to which he sent no less than 63 paintings: numerous genre scenes (The Marriage Contract, The Beloved Mother), but also portraits of his family circle, of courtiers and art lovers, or of his colleagues. The Academy closed the doors of the Salons to him in 1767 for not having produced his reception piece within six months of his reception, as was the tradition. He worked actively on this painting (Emperor Severus rebukes Caracalla, his son, for trying to assassinate him ) until the summer of 1769, tackling historical and mythological subjects for the first time. Once this was completed, he was then fully admitted to the Academy, but as a genre painter, and not as an historical painter, which had been one of the greatest humiliations of his life. Greuze then refused any participation in events organised by the Academy or its successor, the Academy of Fine Arts until 1800. Abandoning history painting, he gave a new twist to genre scenes, bringing them closer to history painting, as in this pair of canvases which constitutes some of his masterpieces: The Paternal Curse: The Ungrateful Son and The Paternal Curse: The Punished Son . Married in 1759 to Anne-Gabrielle Babuti, the daughter of a Parisian bookseller, his marriage was unhappy and his wife probably frequently unfaithful. The institution of divorce enabled him to record their separation in 1793, keeping his two daughters Anna-Geneviève, born in April 1762, and Louise-Gabrielle, born in May 1764, with him. Little is known about his daughter Anna except that she was herself a painter and lived with her father until his death. It is likely that most of the paintings she produced up to that date were attributed to her father, whose technique she shared to a great extent, making it extremely difficult to establish an autonomous corpus of her paintings. Greuze died in his studio at the Louvre on March 21st 1805. The attention paid to the expressivity of his characters and the emotional charge they convey enabled Jean-Baptiste Greuze to enjoy immense popularity with the eighteenth-century public, and they still constitute Greuze's true modernity. As the artist said, "I dipped my brush in my heart". Greuze was also an exceptional draughtsman and a portraitist of immense talent and exceptional longevity who painted both the Dauphin (the son of Louis XV and father to Louis XVI) and the young Napoleon Bonaparte. 2. Greuze's self-portraits Greuze was very much influenced by Dutch paintings during all his life. While the source of his inspiration for genre scenes can be found in Gerard Dou...Category
Early 1800s Old Masters Portrait Paintings
MaterialsLinen, Oil
- John Hervey Portrait on occasion of receiving the Title 1st Earl of BristolBy (Circle of) Godfrey KnellerLocated in Firenze, ITPortrait of John Hervey, 1st Earl of Bristol (1665-1751). Early 18th-century near-life-size portrait of a noble man richly dressed in a long wig. Circle of the German-British cour...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
Art Of The 19th Century
Italy Antique
Italian Head
19th Century Italian Art
19th Century Man
Antique Italian Antiques
Antique Italian Oil Painting
Antique Oil Painting Italy
Mans Head
The Mans Head
Head Of A Man
Italian 19th Century Painting
1800s Art
19th Century Italian Oil
19th Century Oil Painting Italy
Man Hat
Old Man A S
1800s Italian