Items Similar to The Annunciation to the Shepherds - Dutch 17thC art religious oil painting
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Attributed to Benjamin Gerritsz Cuyp The Annunciation to the Shepherds - Dutch 17thC art religious oil painting Circa 1633
Circa 1633
About the Item
This wonderful 17th century Old Master religious oil painting is attributed to Dutch Golden Age artist Benjamin Gerritsz Cuyp. Painted circa 1633 it is entitled The Annunciation to the Shepherds. The figures of the shepherds are painted in muted tones with the focus being on The Holy Ghost and light shining down from the heavens. Even the sheep appear awe struck as they face the scene. A tremendous painting with overtones of Rembrandt.
Provenance. Wiltshire estate.
Condition. Oil on canvas, image size is 36 inches by 28 inches and in good condition for age and with an old patch repair.
Frame. Housed in a complementary 18th century carved gilt frame. Framed size is 42 inches by 34 inches and in good condition.
Benjamin Gerritszoon Cuyp (1612 – 1652) was a Dutch Golden Age landscape painter. Cuyp was born and died in Dordrecht. According to Houbraken he was a pupil of his uncle, Jacob Gerritsz Cuyp, who taught him together with his son (Benjamin's cousin) Aelbert Cuyp. Houbraken felt Aelbert had neater brush strokes and Benjamin showed the rough approach of his teacher. According to the RKD, Houbraken was mistaken about the family, and Benjamin and Jacob were both born in Dordrecht as the sons of a glasspainter from Venlo named Gerrit Gerritsz Cuyp. Benjamin learned to paint from his older half-brother, Jacob Gerritsz Cuyp. He was therefore the uncle, not the cousin, of the much more famous Aelbert Cuyp. He is known for allegorical pieces, genre works, beach scenes, military scenes, and landscapes. He influenced Barent van Kalraet, and was followed by Maerten Fransz van der Hulst.
- Creator:Attributed to Benjamin Gerritsz Cuyp
- Creation Year:Circa 1633
- Dimensions:Height: 34 in (86.36 cm)Width: 42 in (106.68 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113342442
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2018
402 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Madonna and Child with St Catherine and Putti - Italian 17thC art oil paintingBy Giuseppe Bartolomeo ChiariLocated in London, GBThis stunning Italian 17th century Old Master religious oil painting is by Baroque artist Giuseppe Bartolomeo Chari. Painted circa 1684 it is a large and vibrant oil painting of the Madonna and child. To their left is Saint Catherine and to their right four putti or cherubs look upon a sleeping Jesus. The detail in all the figures faces and hair and the colouring is just superb, especially the Madonna's sumptuous blue robe. A really fabulous 17th century religious work with previous full attribution and excellent provenance which was once attributed to Carlo Maratta (1625-1713). Provenance. With Vangelisti, Lucca, Italy, 1966, from whom acquired by the family of the previous owner, and thence by descent. Red seal stamp verso Christies April 15th 1912 Christies March 23 1956 Condition. Oil on Canvas. Image size 44 x 54 inches unframed and in good condition. Frame. Housed in an original Carlo Maratta frame, 62 inches by 52 inches framed and in good condition. Giuseppe Bartolomeo Chiari (1654-1727), also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome. Born in Rome, he was one of the main assistants, along with Giuseppe Passeri and Andrea Procaccini, in the studio of an elder Carlo Maratta. His father had opposed the career, but his mother, on the recommendation of a painter named Carlo Antonio Gagliani. By the age of 22, he had frescoed the lateral lunettes (Birth of Virgin and Adoration of Magi...Category
17th Century Old Masters Portrait Paintings
MaterialsOil
- Spanish Musicians with Dancing Girl- British Victorian art oil painting portraitBy John PhillipLocated in London, GBThis colourful mid 19th century oil painting is by noted British artist John 'Spanish' Phillip. Painted in 1847 this is one of Phillip's early Spanish paintings. This excellent large and busy figurative example of his work captures the vibrancy of a group of street musicians playing for a woman as she dances. Signed with Monogram and dated 1847 lower right. Provenance. Surrey estate. Condition. Oil on canvas, image size 36 inches by 28 inches, in good condition. Housed in a beautiful original gilt frame, 46 inches by 38 inches and in good condition. John Phillip (b Aberdeen, 19 Apr. 1817; d London, 27 Feb. 1867). Scottish painter, active mainly in London. Phillip's early works tended to depict pious Scots families. In 1851 he visited Spain, after he was advised to travel to southern Europe for his health. Thereafter he concentrated on Spanish subjects. The first of these, The Letter Writer...Category
19th Century Realist Figurative Paintings
MaterialsOil
- Family Portrait in Market - British 1914 art Post Impressionist oil paintingLocated in London, GBThis charming early twentieth century Post Impressionist portrait oil painting is by British Jewish female artist Amy Julia Drucker. Of German descent, Drucker was born in England i...Category
1910s Post-Impressionist Portrait Paintings
MaterialsOil
- Ciros Life - British 50's art male portrait oil painting London theatre West EndBy Laurence Henry IrvingLocated in London, GBA visually stunning original oil on panel titled Ciros Life. It was painted circa 1953 by Laurence Henry Irving and depicts a man of little means outside a London theatre doorway. Th...Category
20th Century Impressionist Figurative Paintings
MaterialsOil
- The Serenade - Italian 19th century art figurative oil painting musiciansBy Federico AndreottiLocated in London, GBThis lovely Victorian 19th century figurative oil painting is by Italian artist Frederick Andreotti. Painted circa 1880 it is a lovely playful depiction of a pretty seated young woma...Category
19th Century Realist Figurative Paintings
MaterialsOil
- Lady in pink - British Edwardian art Impressionist portrait oil painting girlBy Thomas Edwin MostynLocated in London, GBA lovely portrait oil painting by British listed artist Tom Mostyn ROI. Painted circa 1910 it depicts a beautiful smiling young woman in a pink dress holding an umbrella. A glorious ...Category
Early 20th Century Impressionist Portrait Paintings
MaterialsOil
You May Also Like
- Fine 17th Century Italian Old Master Oval Portrait of Lady on Copper Wooden FrmLocated in Cirencester, GloucestershirePortrait of a Lady (female saint?) Italian School, 17th century oil on copper, framed frame: 9 x 8 inches board: 5 x 4 inches provenance: private collection condition: very good and ...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
- A Rich Merchant - Painting by Unknown - 18th CenturyLocated in Roma, ITA rich merchant is an original old master artwork realized in the 18th Century. Mixed colored oil painting on canvas depicting a merchant looking at a coin in his left hand. Provena...Category
18th Century Old Masters Figurative Paintings
MaterialsOil
- 18th century Portrait of a young girl, Miss Cator in a landscape, white dressBy John RussellLocated in Woodbury, CTPortrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...Category
1780s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- Lucretia, by Giacomo Raibolini Francia. Detto il Francia. Oil on panel, framedLocated in Brooklyn, NYGiacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...Category
16th Century Old Masters Figurative Paintings
MaterialsOil, Wood Panel
- 17th century Flemish Old Master - A young boy enjoying a pie, allegory of tasteLocated in Antwerp, BE17th century Flemish old master painting, Allegory of taste The very fine painting depicts a young boy, cheekily tasting a delicious pie. He's looking at the viewer with eyes twinkl...Category
17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Portrait of Jean-Baptiste Greuze, painted on linen by his daughter Anna GreuzeLocated in PARIS, FRThis replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. 1. Jean-Baptiste Greuze Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. Upon his return to Paris, Greuze became a prolific painter, participating widely in the Salons held between 1759 and 1765, to which he sent no less than 63 paintings: numerous genre scenes (The Marriage Contract, The Beloved Mother), but also portraits of his family circle, of courtiers and art lovers, or of his colleagues. The Academy closed the doors of the Salons to him in 1767 for not having produced his reception piece within six months of his reception, as was the tradition. He worked actively on this painting (Emperor Severus rebukes Caracalla, his son, for trying to assassinate him ) until the summer of 1769, tackling historical and mythological subjects for the first time. Once this was completed, he was then fully admitted to the Academy, but as a genre painter, and not as an historical painter, which had been one of the greatest humiliations of his life. Greuze then refused any participation in events organised by the Academy or its successor, the Academy of Fine Arts until 1800. Abandoning history painting, he gave a new twist to genre scenes, bringing them closer to history painting, as in this pair of canvases which constitutes some of his masterpieces: The Paternal Curse: The Ungrateful Son and The Paternal Curse: The Punished Son . Married in 1759 to Anne-Gabrielle Babuti, the daughter of a Parisian bookseller, his marriage was unhappy and his wife probably frequently unfaithful. The institution of divorce enabled him to record their separation in 1793, keeping his two daughters Anna-Geneviève, born in April 1762, and Louise-Gabrielle, born in May 1764, with him. Little is known about his daughter Anna except that she was herself a painter and lived with her father until his death. It is likely that most of the paintings she produced up to that date were attributed to her father, whose technique she shared to a great extent, making it extremely difficult to establish an autonomous corpus of her paintings. Greuze died in his studio at the Louvre on March 21st 1805. The attention paid to the expressivity of his characters and the emotional charge they convey enabled Jean-Baptiste Greuze to enjoy immense popularity with the eighteenth-century public, and they still constitute Greuze's true modernity. As the artist said, "I dipped my brush in my heart". Greuze was also an exceptional draughtsman and a portraitist of immense talent and exceptional longevity who painted both the Dauphin (the son of Louis XV and father to Louis XVI) and the young Napoleon Bonaparte. 2. Greuze's self-portraits Greuze was very much influenced by Dutch paintings during all his life. While the source of his inspiration for genre scenes can be found in Gerard Dou...Category
Early 1800s Old Masters Portrait Paintings
MaterialsLinen, Oil
Recently Viewed
View AllMore Ways To Browse
Master Of The Die
Antique Religious Art Art
Old Antique Religious Art
Framed Religious Painting
The Shepherd
Military Portrait
Golden Age Portrait
Old Dutch Houses
Antique Religious Painting Paintings
Antique Military Painting
Antique Religious Oil
Antique Religious Oil Painting Paintings
Antique Religious Oil Paintings
Dutch Golden Age
Die Struck
Golden Brothers
18th Century Dutch Paintings
18th Century Painting Dutch