Ted Jaslow

Bold Expressionist Rabbi, Judaica painting

Rabbinical Discussion Hand signed lower left. Provenance: bears label verso for Summit Gallery Dimensions: H 14.25" x W 8" Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Rabbi, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum, the National Academy of Design, the Whitney Museum of American Art, and the Museum of Modern Art in New York. He lives in New York City. Jonah Kinigstein was trained at Cooper Union Art School, The Grande Chaumiere in Paris; and Belle Arte in Rome. He has been a Fulbright Fellow. He has holdings at MOMA, the Ain Herod Museum in Tel Aviv; Smithsonian; the Albright-Knox Gallery and the Nelson Gallery of Art. He lived and worked in Brooklyn New York. Kinigstein was inducted as an Academician into the National Academy of Design in 1997. Exhibits include: Young Americans at the Whitney Museum of American Art; the National Academy of Arts and Letters; ACA Gallery; Rittenhouse Gallery; the Washington Irving Gallery; and the Pindar Gallery. Contemporary American Painting and Sculpture (CAPS) '59, University of Illinois, Arthur Okamura, Fred Farr, Jonah Kinigstein, Lawrence Calcagno, Reuben Tam...

King and queen with clowns and jesters. Bold, colorful, expressionist masterful painting. Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum, the National Academy of Design, the Whitney Museum of American Art, and the Museum of Modern Art in New York. He lives in New York City. Jonah Kinigstein was trained at Cooper Union Art School, The Grande Chaumiere in Paris; and Belle Arte in Rome. He has been a Fulbright Fellow. He has holdings at MOMA, the Ain Herod Museum in Tel Aviv; Smithsonian; the Albright-Knox Gallery and the Nelson Gallery of Art. He lived and worked in Brooklyn New York. Kinigstein was inducted as an Academician into the National Academy of Design in 1997. Exhibits include: Young Americans at the Whitney Museum of American Art; the National Academy of Arts and Letters; ACA Gallery; Rittenhouse Gallery; the Washington Irving Gallery; and the Pindar Gallery. Contemporary American Painting and Sculpture (CAPS) '59, University of Illinois, Arthur Okamura, Fred Farr, Jonah Kinigstein, Lawrence Calcagno, Reuben Tam and Rico Lebrun. Jonatha Kinigstein attended The Cooper Union and Grand Chaumiere, Paris. He received a Fulbright scholarship to study in Rome, and has also received awards from the Butler Art Institute; American Academy of Arts and Letters; Silvermine Guild; and Louis Comfort Tiffany Foundation. Kinigstein has had solo shows at Galerie Bretau, Paris; Alan Gallery, Grippi Gallery, ACA Gallery, and Pindar Gallery, New York; Siembab Gallery, Boston; Rittenhouse Gallery, Philadelphia; among others. His work is in the collections of the Whitney Museum of American Art; Museum of Modern Art; Allentown Art Museum; Albright Art Gallery; Butler Art Institute; and more. He has taught at the Brooklyn Museum and National Academy of Design School of Fine Arts. Born in 1923 in Coney Island, Jonah’s early influences were discovered during visits to the Metropolitan Museum- “When I really saw the old masters, it blew my mind, of course.” He attended Cooper Union for a year before he was drafted into the Army, serving from 1942 – 1945. Soon after, Jonah moved to Paris where he spent time at the Académie de la Grande Chaumière, conversing with other aspiring artists, exchanging ideas, exhibiting his work, seeing established artists, and generally soaking up a fertile creative environment. He exhibited in several shows including the Salon D’Automne, Salon de Mai, and the Salon des Moins de Trente Ans, and had one-man shows in the Galerie Breteau and Les Impressions D’Art. After Paris, Jonah moved to Rome on a Fulbright Scholarship and studied at the La Schola Di Belles Artes. After a year, he returned to the U.S. and exhibited his paintings at the Downtown Gallery in Manhattan. A classically trained painter whose ambitions were frustrated by the New York art world’s obsession with Abstract Expressionism and the lucrative industry that grew up around it. Like so many painters, he was unable to make a living solely from painting, so he worked in the commercial art world and did freelance illustration and design. Throughout this time, Jonah’s commitment to his own art never wavered, and he continued to paint and occasionally exhibit. He was included in the MoMA show, Summer Exhibition: New Acquisitions; Recent American Prints, 1947–1953; Katherine S. Dreier Bequest; Kuniyoshi and Spencer; Expressionism in Germany; Varieties of Realism along with Alexander Archipenko, Francis Bacon, Balthus, Will Barnet, Leonard Baskin, Eugene Berman, Reg Butler, Lovis Corinth, Andre Derain, Otto Dix, Raoul Dufy, Max Ernst, Lucian Freud, George Grosz, Alexei Jawlensky...

William (Sunny) Weintraub, Israeli (Born 1926) Oil on masonite William Weintraub (He was also known as Shlomo Weintraub and nicknamed Sonny Weintraub) Genre: Impressionist Subject: Portrait Medium: Oil Surface: Canvas Dimensions: framed 24 X 32.5 canvas 19 X 27 In an ever-changing art world that embraces one movement after the next, the timeless art of portraiture can become lost. Portraiture is often associated with the royal paintings of centuries-old French kings, European nobility, and other wealthy individuals from art history's past. However, styles like Social Realism and Dutch genre painting spotlighted...

Framed 20.5 x 18 image 14.5 x 12 Heinz Hugo Erich Elsas, (German-Brazilian 1925-1994) later known as Harry Elsas. Muralist, writer, designer best known as...

The artist depicts the portrait of an older Rabbi from a profile view in the manner of Samuel Rothbort. The artist's brush work is expressive, while the subject matter has a high deg...

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Mystery" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Passion" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Deliberation" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Vitality" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Transition" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...