Alberto Rizzo

Terra 2 from Paper Cutout series

1980

Alberto Rizzo, Terra #1 from Paper Cut Out series Silver Gelatin print 31 x 20 inches Alberto Rizzo was a multi award winning Master Photographer and Artist, His work was collecte...

Alberto Rizzo, Cut Out I from Cut Out Paper series Silver Gelatin print 1987 Edition of 25 Paper size is 20 x 16 inches Image size is 16.25 x 12.25 inches Alberto Rizzo was a multi...

20 x 15 inches image size 30 x 25 inches paper size Please Note: This work is framed; the framed photograph shows the print with the 5 inch paper border Pigment print on Kodak met...

15x 15 inches image size 25 x 25 inches paper size Please Note: This work is framed; the framed photograph shows the print with the 5 inch paper border Pigment print on Kodak meta...

Carvings 1-5 by Sterling Ruby is one work in five parts of images of tree carvings. Sold as a set of five only, each work is 36 x 36 inches, framed by the artist in a deep mahogan...

Paper size is 30 x 25 inches, image size is 20 x 15 inches Signed, dated and numbered Pigment print on Kodak Metallic paper, there is a 5 inch border around the image which enhances...

Turro Tram Depot, Italian street photograph from Richard Heeps series A Short History of Milan. Richard Heeps series A Short History of Milan began as a special project for the 2018...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and ...

Large scale abstract limited edition photograph from the series 'Bushes and Succulents' (2018), Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at. The images are a celebration of the female essence...

Anthony Pearson Untitled (Solarization Diptych), 2010 Solarized silver gelatin photographs Framed Dimensions: 17 1/2 x 13 1/4 x 3/4 inches (44.5 x 33...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...