Cecil Beaton

Mariannna Van Rensselar In Charles James Hat, 1930 - Cecil Beaton

Robert Redford, 1964 - Jerry Schatzberg (Portrait Photography) Signed on reverse Silver Gelatin Print Printed on 16 x 20 inch paper from an edition of 20 Jerry Schatzberg’s portrait...

Rudolf Nureyev, New York City, 1963-Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed l...

Paul Newman and Lee Marvin, 1972 - Terry O'Neill (Portrait Photography) Signed and numbered Silver gelatin print Available in the following sizes: 12 x 16 inches, edition of 50 + 10...

Brigitte Bardot on the set of 'Shalako', 1968 - Terry O'Neill (Black and White) Signed and numbered Silver gelatin print Available in the following sizes: 12 x 16 inches, edition of...

Mick Jagger in his Dressing Room, 1964 - Terry O'Neill (Portrait Photography) Signed and numbered Digital c-type print Available in the following sizes: 12 x 16 inches, edition of 5...

Elton John in Full Swing, Dodger Stadium, Los Angeles, 1975 - Terry O'Neill Signed and numbered Silver gelatin print Available in the following sizes: 12 x 16 inches, edition of 50 ...

Mick Jagger gained fame as the lead singer and one of the founding members of the Rolling Stones, along with Keith Richards. This is a unique work. Image dimensions: 10 x 8 in. Fra...

Road to Gunsight, part of Richard Heeps 'Dream in Colour' Series, this is the classic American open road photograph, which is a metaphor of a journey throughout Richard's work. The e...

Part of Richard Heeps 'Man's Ruin' Series, and the sequence of artworks 'Wendy Flamin' Eyeball', 'Wendy Resting' & 'Oldsmobile and Sinful Barbie's' shot at the Rockabilly Weekender, ...

This Roadside Giant is called 'Poor Richard', ironic really considering the artists' name, and the sad state of his broken off head. Poor Richard refers t...

Woman on Bus, from the March on Washington, 1963 (printed later) by Leonard Freed, is a 11" x 14" gelatin silver print, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is from Leonard Freed's series This Is the Day: The March on Washington and is on p. 81 of the book (Getty Museum, 2013). American photographer Leonard Freed enjoyed documentary storytelling and was a "concerned photographer" whose work demonstrated humanitarian concerns. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited edition (ed size 15 only this size) and signed silver gelatin print. paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...