Alexander CalderAlexander Calder lithograph (derrière le miroir)c.1967
c.1967
About the Item
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:c.1967
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354311670282
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
Find original Alexander Calder art today on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- Alexander Calder lithograph derrière le miroirBy Alexander CalderLocated in NEW YORK, NYAlexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...Category
1970s Abstract Abstract Prints
MaterialsLithograph, Offset
- KAWS 2011 The Aldrich (announcement)By KAWSLocated in NEW YORK, NYKAWS The Aldrich Contemporary Art Museum (June 27, 2010 to January 2, 2011, Ridgefield, CT): Rare original program to KAWS' first solo exhibition. Staple-bound museum program; approximately 10-15 pages featuring photos & text highlighting the evolution of the artist. Offset printed; 6.5 x 10.5 inches (folded closed). Very good overall condition. Scarce. About KAWS: “KAWS” are a graffiti artist, illustrator, painter, sculptor, product designer and toymaker. His cartoonish style, including his best-known characters with X-ed out eyes has its roots in his early career as a street artist, when he began replacing advertisements with his own, masterful acrylic paintings in the early, 1990s. Since, Kaws has embraced the commercialist spirit of Claes Oldenburg and Takashi Murakami, designing everything from Kanye West album covers to NIKE sneakers...Category
21st Century and Contemporary Street Art Abstract Prints
MaterialsLithograph, Offset
- Milton Glaser San Francisco Opera 1981 (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NY1980s Milton Glaser Poster Art: Milton Glaser San Francisco Opera: Vintage original Milton Glaser poster c.1981. Designed by Milton Glaser on the ...Category
1980s Contemporary Figurative Prints
MaterialsLithograph, Offset
- Milton Glaser Brooklyn Center for the Performing Arts (Milton Glaser posters)By Milton GlaserLocated in NEW YORK, NY1980s Milton Glaser Poster Art: Milton Glaser Brooklyn Center for the Performing Arts at Brooklyn College: Vintage original Milton Glaser poster c.1984. Designed by Milton Glaser on the occasion of the 30th anniversary of the Brooklyn Center for the Performing Arts at Brooklyn College. In this piece Glaser creates music and dance incarnate: A colorful figure appears headless, its torso formed...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Milton Glaser The Newport Jazz FestivalBy Milton GlaserLocated in NEW YORK, NYMilton Glaser Newport Jazz Festival at The Russian Tea Room: The Russian Tea Room is an iconic restaurant in NYC located next to New York's Carne...Category
1960s Pop Art Figurative Prints
MaterialsLithograph, Offset
- Alexander Calder lithograph derrière le miroirBy Alexander CalderLocated in NEW YORK, NYAlexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...Category
1960s Contemporary Figurative Prints
MaterialsLithograph, Offset
- International Very Special Arts signed, inscribed Abstract Expressionist posterBy Paul JenkinsLocated in New York, NYPaul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...Category
1990s Abstract Expressionist Abstract Prints
MaterialsOffset, Ballpoint Pen, Lithograph
- de Kooning in East Hampton (Hand Signed), from Estate of Alan YorkBy Willem de KooningLocated in New York, NYWillem de Kooning de Kooning in East Hampton (Hand Signed), from Estate of Alan York, 1978 Offset lithograph poster (Hand signed by de Kooning) Boldly s...Category
1970s Abstract Expressionist Abstract Prints
MaterialsOffset, Permanent Marker, Lithograph
- Mobiles de Calder, mid century modern Alexander Calder abstract kinetic posterBy Alexander CalderLocated in New York, NYAfter Alexander Calder Mobiles de Calder poster, 1954 Original offset lithograph poster 28 × 20 1/2 inches Unframed This is from the first vintage edition, not a later, smaller repro...Category
Mid-20th Century Abstract Abstract Prints
MaterialsLithograph, Offset
- Adolph Gottlieb exhibition poster for Guild Hall in Easthampton, NY - FramedBy Adolph GottliebLocated in New York, NYAdolph Gottlieb Guild Hall is for Everyone, 1970 Vintage Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph poster. Donated by D...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Westermann and Kapsalis Sculpture at Four Fourteen Art Center PosterBy HC WestermannLocated in New York, NYH.C. Westermann, Thomas Kapsalis Rare artist designed early poster: Westermann and Kapsalis Sculpture at Four Fourteen Art Center and Gallery Chicago, 1957 Historic offset lithograph poster designed by both artists Not signed 17 × 22 inches Unframed This extremely rare poster on handmade paper was published for the Tom Kapsalis/H.C. Westermann sculpture exhibition at 414 Art Workshop and Gallery, Chicago Momentum, 1020 Art Center, Chicago in December 1957. The poster was hand designed by both artists, with each one designing his respective half for a cohesive whole, for an exhibition at a small, now defunct regional art center in the late fifties -- so it's not unreasonable to believe that there just aren't too many of these out there anymore. A must have for anyone seriously involved in the careers and legacies of each or both of these sculptors. About H.C. Westermann: American artist Horace Clifford Westermann (Los Angeles, 1922 – Danbury, 1981) assembled a distinctive and singular body of sculptures. His works were predominantly made from wood through his masterly command of carpentry and cabinetmaking, yet he also used other techniques and materials such as metal, glass and enamelling with incredible precision. Without adhering to one particular style, Westermann was a maker of objects, of separate pieces: his sculptures, laden with meaning, often irony, result from the processing of experience, coalescing to yield specific fragments of reality. It is the course of these fragments that the retrospective presented by the Museo Reina Sofía follows. A concern with going back to shelter would soon emerge, be it in the home or the body —and blighted by the threat of confinement and death. Also, stubborn or helpless figures would recur through Westermann’s oeuvre. The motif of the “death ship” runs right through the breadth of his production as well, pointing, on one side, to continued wandering and latent abandonment and, on the other, to a determined pursue of refuge which seems to hold firm across his work. At the turning point of the 1960s, Westermann’s sculptures drew from mass culture, and made part of several exhibitions of the new realisms, when the “cold” tag of Pop art had not yet fully taken shape. The exhibition presents this output and the “specificity” of Westermann’s objects, which interested Donald Judd in 1963. In later pieces his work increasingly deals with the absurd, either through playfulness with language, in the confusion between work and instrument, or with references to the impermanent Besides the sculptures, the show displays Westermann’s paintings, letter-drawings —in his correspondence with other artists, critics and friends— and series of prints, in which he applied vibrant colours to address themes such as an escapist, while critical depiction of the American scene; catastrophe, and fragility. A graduate from the School of the Art Institute of Chicago in 1954, Horace Clifford Westermann produced most of his work from a small town in Connecticut, where he settled in 1961. He regularly exhibited his work in New York, and occasionally in Chicago and on the West Coast. Courtesy of Venus Over Manhattan About Tom Kapsalis: One of Chicago’s great abstractionists, painter Thomas H. Kapsalis (born 1922) has been an important artist and educator since the late ’40s, when he graduated from the School of the Art Institute. A prisoner of war in Germany, captured during the Battle of the Bulge, Kapsalis returned to continue his pursuit of art-making, eventually returning to Germany in the early ’50s on a Fullbright-Hays Fellowship to study with Willi Baumeister. He has taught at the School of the Art Institute since 1954, and his work has been exhibited in numerous group and solo shows. Among the honors bestowed upon Kapsalis are Huntington Harford Foundation Grants (1956, 1959); Robert Rice Jenkins Prize, Chicago & Vicinity Exhibition, Art Institute of Chicago (1956); Pauline Palmer Prize, Chicago & Vicinity Exhibition, AIC (1960); Mr. & Mrs. Julie F. Brower Prize, Chicago & Vicinity Exhibition, AIC (1969). Courtesy of Corbett vs...Category
1950s Abstract Abstract Prints
MaterialsLithograph, Offset
- Bacon, Untitled, 1987 (after)By Francis BaconLocated in Fairfield, CTArtist: Francis Bacon (1909-1992) Title: Untitled Year: 1987 Medium: Offset Lithograph on premium paper Size: 26.25 x 19.75 inches Condition: Excellent Notes: Published by Galerie Le...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
Recently Viewed
View AllRead More
Renowned for His Mobiles, Alexander Calder Was Also Adept at Crafting Modernist Jewelry
There are no sparkling gemstones on this necklace, but its value far exceeds the cost of its materials.
10 Must-Visit American Public Sculptures
Get your dose of Vitamin D while surveying works by the likes of Alexander Calder, Keith Haring and Pablo Picasso.