James RosenquistArt Gallery, from the Estate of Nina Castelli and Ileana Sonnabend1971
1971
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1971
- Dimensions:Height: 30 in (76.2 cm)Width: 22.5 in (57.15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Unframed and in fine condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745210776332
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Femme de Peuple II (hand signed and inscribed to poet Robert Duncan)By R.B. KitajLocated in New York, NYR. B. Kitaj Femme de Peuple II (hand signed and inscribed to poet Robert Duncan), 1978 Offset Lithograph (hand signed and inscribed to poet Robert Duncan) Hand signed and inscribed o...Category
1970s Pop Art Figurative Prints
MaterialsGraphite, Offset, Lithograph
- Through the Eyes of the Needle to the Anvil (Hand signed by James Rosenquist)By James RosenquistLocated in New York, NYJames Rosenquist Rosenquist at Leo Castelli (Hand Signed and inscribed by James Rosenquist), 1988 Offset Lithograph Poster (Hand Signed and Dedicated) Frame included: held in original vintage frame under plexiglass A collectors' item when hand signed by the artist as the present work Early historic Leo Castelli exhibition poster published on the occasion of the James Rosenquist exhibition "Through the Eye of the Needle...Category
1980s Pop Art Abstract Prints
MaterialsPermanent Marker, Lithograph, Offset
- The 57th Presidential Inauguration, limited edition, plate signed Barack ObamaBy Chuck CloseLocated in New York, NYChuck Close The 57th Presidential Inauguration, 2013 Offset lithograph 23 1/2 × 18 inches Edition 1191/2013 Bears Chuck Close's printed name; plate signed by Barack Obama numbered 11...Category
2010s Pop Art Figurative Prints
MaterialsOffset, Lithograph
- Patti Smith at the Bowery Ballroom, rare hand signed poster from Gotham BookmartLocated in New York, NYPatti Smith at the Bowery Ballroom (Hand Signed), 2000 Offset Lithograph poster. Hand Signed by Patti Smith Hand signed in ink by Patti Smith lower front 20 × 14 inches Unframed Hand...Category
Early 2000s Pop Art Abstract Prints
MaterialsOffset, Pencil, Lithograph
- Four Hearts, rare poster, The Baltimore Museum of Art (Hand Signed by Jim Dine)By Jim DineLocated in New York, NYJim Dine Hearts (Hand Signed), 1983 Offset lithograph 28 × 22 inches Boldly signed in black marker on the front Unframed This vintage hand signed 1983 poster...Category
1980s Pop Art Abstract Prints
MaterialsOffset, Permanent Marker, Lithograph
- McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern)By Alexander CalderLocated in New York, NYAlexander Calder McGovern for McGovernment (Signed by BOTH Alexander Calder and George McGovern), 1972 Lithograph on wove paper with deckled edges. Hand signed and Numbered by Calder, and inscribed and signed by George McGovern. Publisher's blind stamp. Pencil signed and numbered 184/200 Published by Styria Studio, New York (with blind stamp) Bibliography: George McGovern & the Democratic Insurgents: The Best Campaign and Political Posters of the Last Fifty Years (University of Nebraska Press), Hal Elliot Wert Frame included Framed in a mus...Category
1970s Pop Art Figurative Prints
MaterialsLithograph, Pencil
- Saul Steinberg lithographic cover c.1970 (derriere le miroir)By Saul SteinbergLocated in NEW YORK, NYSaul Steinberg Derrière le Miroir: A lithographic cover published c. 1970. Well suited for framing. A fantastic vintage Saul Steinberg collectible within reach. Lithograph in color...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- 1970s Saul Steinberg lithograph (Steinberg Derrière le miroir)By Saul SteinbergLocated in NEW YORK, NYVintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-li...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- TIMELINE DEGA MAN Signed Lithograph, Memphis-Inspired Colors Black White StripesBy Peter MaxLocated in Union City, NJTIMELINE DEGA MAN is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival paper, 100% acid free. TIMELINE DEGA MAN is a dr...Category
1990s Pop Art Abstract Prints
MaterialsLithograph
- Instant Nutriment #4, 1969 - Modern Pop Art Psychedelic PrintBy Peter MaxLocated in Soquel, CAInstant Nutriment #4, 1969 - Modern Pop Art Psychedelic Print A vintage psychedelic print, Instant Nutriment #4, 1969 by Peter Max (German, b. 1937). Unframed. Shipped Rolled in tube. Some edge wear to paper. Image: 36"H x 24"W One of the most famous of all living artist's, Peter Max is a pop culture icon. His bold colors, uplifting images and an uncommon artistic diversity have touched almost every phase of American culture and has inspired many generations. Peter Max has painted for six U.S. Presidents and his art is on display in Presidential Libraries and in U.S. Embassies. Max has painted our Lady Liberty annually since America's Bicentennial and in 2000 a collage of his Liberties adorned over 145 million Verizon phone books. Max has been named an official artist of the 2006 U.S. Olympic Team at the Winter Olympics in Turin, Italy. He has also been Official Artist of 5 Super Bowls, World Cup USA, The World Series, The U.S. Open, The Indy 500, The NYC Marathon...Category
1960s Pop Art Abstract Prints
MaterialsPaper, Ink, Lithograph
- Sigmar Polke, S. schmeckt Pfirsich von H. - 1996, Lithograph, Signed PrintBy Sigmar PolkeLocated in Hamburg, DESigmar Polke (German, 1941-2010) S. schmeckt Pfirsich von H. (S. Tastes Peach from H.), 1996 Medium: Grano-lithograph in colours with embossing, on Bütten board Dimensions: 59.1 × 77...Category
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Large Bus by Allen Jones classic British 1960s pop art in bright primary colorsBy Allen JonesLocated in New York, NYThis large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...Category
1960s Pop Art Abstract Prints
MaterialsLithograph