James Rosenquist"The Star Thief" by James Rosenquist1986
1986
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1986
- Dimensions:Height: 37.5 in (95.25 cm)Width: 37.5 in (95.25 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Impression 8 of 25Price: $8,500
- Medium:
- Movement & Style:
- Period:
- Condition:This piece has a new custom frame with UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
![](https://a.1stdibscdn.com/a_13842/DEALER_STOREFRONT_CAROUSEL/1594323881_ob10t/Harpignies.jpg)
- ShippingRetrieving quote...Ships From: Hinsdale, IL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "Untitled" Robert Motherwell from the Portfolio of NineBy Robert MotherwellLocated in Hinsdale, ILRobert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Dusk in August" from the Portfolio of NineBy Louise NevelsonLocated in Hinsdale, ILNEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "American - La France Variation VIII"By Robert MotherwellLocated in Hinsdale, ILRobert Motherwell American - La France Variation VIII Lithograph in colors from five aluminum plates with collage in Arches, 1984 Arches collaged on Oatmeal Australian Bemboka hand...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Flower Garden" original color lithograph by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) "Flower Garden" Lithograph in colors on Hodgkin handmade paper, 1972 22” x 28 5/8” (55.9 x 72.7 cm) (image) 30 ½” x 36 ¼” (77.5 x 92.1 cm) (sheet) Edi...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Jim Dine "Five Paintbrushes (3rd State)"By Jim DineLocated in Hinsdale, ILJim Dine (b. 1935) "Five Paintbrushes (3rd State)" Etching with drypoint, mezzotint and aquatint on Copperplate Deluxe paper, 1973 20-1/2 x 27-1/4 inches (52.1 x 69.2 cm) (image) Ed. 18/28 Signed, numbered, and dated in pencil along lower edge Published by Petersburg Press, Inc., New York Printed by Alan Uglow...Category
1970s Abstract Expressionist Abstract Prints
MaterialsEtching
- "Parets" original colograph by Helen FrankenthalerBy Helen FrankenthalerLocated in Hinsdale, ILHelen Frankenthaler (1928-2011) "Parets" Collagraph drawn with Araldite glue, c. 1988 Printed in light burnt sienna from one steel plate, off white handmade paper Signed in lowe...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media
- Let's Make the Whole Demilitarized Zone into a Grand Park for All Korean PeopleLocated in Long Island City, NYLet’s Make the Whole Dimilitarized Zone into a Grand Park for All Korean People Lee Bann Korean Date: 1988 Lithograph, signed and numbered in pencil Edition of 87/300 Size: 35 in. x ...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Piero Dorazio Lithograph Abstract Geometric Quadrilateral PolygonBy Piero DorazioLocated in Detroit, MIThe work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled (SF-106A)By Sam FrancisLocated in Malmo, SEArtwork size : 72 × 102 cm Frame size : 92 x 121 x 3 cm Signed and numbered AP (Artist proof) Edition of 40 + Proofs 8 Artists Proof, 6 Trial Proof, 6 State Proof. Sam Francis Archive Number: SF-106A. Literature: Lembark L108. Museum glass anti-reflective. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Robert Natkin Abstract Lithograph Signed NumberedBy Robert NatkinLocated in Detroit, MISALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Sam Francis Signed, Limited Edition Abstract Expressionist PrintBy Sam FrancisLocated in San Rafael, CASam Francis (American, 1923-1994) Untitled (SF-233), 1977 Lithograph in black on Rives BFK paper, Pencil signed lower right Edition 6/20 Printed by George Page and published by The Litho Shop, Santa Monica, CA. Image: 26in H x 16in L. Full sheet: 30in H x 22in L In vintage acrylic box...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Large 1960's California Pop Art Abstract Expressionist LA Lithograph John AltoonLocated in Surfside, FLJohn Altoon (1925-1969) UNTITLED, 1966, color lithograph, hand signed in pencil and inscribed trail proof II, sheet 29 ¾ x 41 ¼, printed by Gemini G.E.L.,...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph