James RosenquistTide1979
1979
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1979
- Dimensions:Height: 22.75 in (57.79 cm)Width: 39.75 in (100.97 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Swing ScreenBy James RosenquistLocated in San Francisco, CAThis artwork titled "SWing Screen" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, d...Category
Late 20th Century Pop Art Abstract Prints
MaterialsEtching, Aquatint
- Star Leg (2nd State)By James RosenquistLocated in San Francisco, CAArtist: James Rosenquist (1933-2017) Title: Star Leg (2nd state) Year: 1979 Medium: 1 color etching Edition: 78, plus proofs Sheet Size: 22.75 x 40 inches Plate size: 17.75 x 35.5 in...Category
1970s Pop Art Abstract Prints
MaterialsPaper, Etching
- Process LandscapeBy Tom MarioniLocated in San Francisco, CAArtist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...Category
1990s Abstract Impressionist Abstract Prints
MaterialsPaper, Aquatint
- Finger PrintBy Tom MarioniLocated in San Francisco, CAArtist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...Category
1990s Contemporary Abstract Prints
MaterialsDrypoint, Etching, Mixed Media, Paper, Aquatint
- Untitled CompositionBy Antoni TàpiesLocated in San Francisco, CAArtist: Antoni Tapies – Spanish (1923- 2012) Title: Untitled, from Paroles Peintes IV, published by O. Lazar-Vernet, Paris Date: 1970 Medium: Etching and aquatint in colors on BFK Ri...Category
1970s Abstract Abstract Prints
MaterialsEtching, Aquatint
- "Sombre" Very large etching with aquatintBy Johnny FriedlaenderLocated in San Francisco, CAThis artwork titled "Sombre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 38.5 x 28 inches, framed size is 48.25 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...Category
Late 20th Century Abstract Abstract Prints
MaterialsEtching, Aquatint
- Night RiverBy Wayne ThiebaudLocated in New York, NYWayne THIEBAUD Night River, 1998/2011 Hard ground etching with drypoint and aquatint printed in blue and black, ed. 9 of 40 15 x 20 in. (unframed)Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsEtching, Aquatint, Drypoint
- Donald Baechler Flower 2005 (Donald Baechler flower prints)By Donald BaechlerLocated in NEW YORK, NYDonald Baechler "Flower," 2005: Medium: Aquatint and dry-point on Somerset paper. Sheet size: 25 1⁄2 x 18 inches. Image: 17.25 x 11 inches. Edition of 34 +5 AP. Hand signed, dated a...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsDrypoint, Aquatint
- Donald Baechler Szechuan Garden 2003 (Donald Baechler prints)By Donald BaechlerLocated in NEW YORK, NYDonald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsEtching, Aquatint
- SPOKES AND SPOKES: 2 STATEBy James RosenquistLocated in Aventura, FLSpokes (1977) and Spokes: 2 State (1978). Each hand signed, dated, numbered and titled by the artist. Both prints have matching editions. Etching and aquatint on Pescia Italia paper....Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint
- SPOKESBy James RosenquistLocated in Aventura, FLHand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint
- Diver's LineBy James RosenquistLocated in New York, NYA very good impression of this color etching and aquatint on Pescia Italia paper. Signed, dated, titled and numbered 37/78 in pencil by Rosenquist. Printed by Charles Levien, Aripeka...Category
1970s Pop Art Abstract Prints
MaterialsColor, Etching, Aquatint