Jasper Johns

Ventriloquist

1990

Donald Baechler The Accordion Player #1, 1995 Lithograph with silkscreen 30 x 22 1/4 inches Edition 32 of 49 Signed In 1995 five well-known Ameri...

Robert Rauschenberg Score, 1970 Lithograph 26 x 19 1/2 inches Edition 51 of 75 Signed This print belongs to Rauschenberg’s “Stoned Moon” seri...

Carole Seborovski Circle / Accumulation, 1992 Etching 7 x 7 inches (image) 16 1/2 x 13 3/4 inches (sheet) 18 1/2 x 15 3/4 inches (frame) AP 2 of 4 Signed

Terry Winters "Terry Winters/Verre + Dessins" Centre Internationale de Recherche sur le Verre et les Artes Plastiques, Marseille, 2006 Exhibition poster 16 x 11 inches Signed

"Drawings 1970-80 (Cicada)" Margo Leavin Gallery, Los Angeles, 1981 Exhibition Poster 30.5 x 22.5 inches Unsigned

Kelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...

Color lithograph, Edition 30 Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...

Beautiful untitled lithography by Italian artist Sante Monachesi. Artist proof, autor's sign bottom right Excellent condition, the artwork is framed and protected with glass.

Assassins is an original artwork realized in 1974 by Antoni Tapies. Mixed colored lithograph. Hand signed by the artist. Horce commerce artwork (HC reported on the lower margin). ...

Alexander Calder 'La Grenouille et Cie': Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph. Dimensions: 25 x 32 inches. An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.

Untitled is an original artwork realized by Pietro Consagra in the 1970s. Mixed colored lithograph from the portfolio "Segno e colore" and printed by Grafica dei Greci in Rome and e...

Color lithograph, Edition 25. Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes 'personal diaries' of her life as an ...