Items Similar to Elegy by Jules Olitski, 2002 (abstract blue and yellow screen print)
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Jules OlitskiElegy by Jules Olitski, 2002 (abstract blue and yellow screen print)2002
2002
About the Item
This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions for Lincoln Center for the Performing Arts.
*Please note: The frame is for reference purposes only. The impression is not framed.
Jules Olitski was a renowned American painter and printmaker. He was born in 1922 in Snovsk, in Ukrainian Soviet Socialist Republic (now Chernihiv Oblast, Ukraine). A few months after his father, a commissar, was executed by the Soviet government. He emigrated to the United States in 1923 with his mother and grandmother and settled in Brooklyn. He received a Bachelor of Arts degree from New York University in 1952, and a Master of Arts in 1954.
In the late 1950s, he became friends with the art critic Clement Greenberg. He began to show his works with Morris Louis, Barnett Newman, Kenneth Noland and David Smith. In 1960 Olitski began to pour and stain dye onto large canvases. He experimented by applying paint with brushes, sponges, mops and rollers. From 1965, he began to spray paint onto his canvases in order to create dematerialised fields of colour. Later, he applied a heavier texture of paint to his surfaces. This image was created in response to 9/11 and was published by Lincoln Center in a hand signed and numbered edition of 108.
- Creator:Jules Olitski (1922-2007, American)
- Creation Year:2002
- Dimensions:Height: 32 in (81.28 cm)Width: 39 in (99.06 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU33011713592
Jules Olitski
Jules Olitski was an abstract Color Field painting in the mid-1960s, Olitski focused on the material qualities of surface and color in painting, rather than the personal expression of the artist. He pioneered a technique using an industrial spray gun to lightly apply paint on unprimed canvas, creating an effect of hazy color suspended midair. Even after returning to the brush, Olitski maintained this airy interaction of color and light. Olitski represented the United States in the 1966 Venice Biennale, and was given the first solo exhibition for a living American artist at the Metropolitan Museum of Art in 1969.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1962
1stDibs seller since 2013
52 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- We Meet Again by Elizabeth Murray, (green, purple and red abstract forms)By Elizabeth MurrayLocated in New York, NYBrightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...Category
Early 2000s Abstract Abstract Prints
MaterialsScreen
- Large Abstract by Mike Cloud (colorful abstract forms on a grid pattern)By Mike CloudLocated in New York, NYScreenprint in colors on wove paper, 2007, signed in pencil and numbered from the edition of 108, image: 980 by 672 mm 38 3/4 by 26 1/2 inches, sheet: 1160 by 828 mm 45 5/8 by 32 5/8...Category
Early 2000s Abstract Abstract Prints
MaterialsScreen
- 'Shifted Lattice' Limited Edition Print by James Siena (green and blue pattern)By James SienaLocated in New York, NYThis is a fourteen (14) color screen print on Reeves textured rag paper, hand signed and numbered in graphite from an edition of 118. There are an additional 18 Artist Proofs. The pr...Category
Early 2000s Abstract Geometric Abstract Prints
MaterialsScreen
- Alice Tully Hall, by Guillermo Kuitca (red abstract)By Guillermo KuitcaLocated in New York, NYOne screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 artist's proofs) The sheet size is 22 1/4 by 20 inches, with the blindstamp of the printer, Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, Inc., New York. This impression has a rich, bold red color on bright white paper. Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreates the seating chart...Category
Early 2000s Abstract Abstract Prints
MaterialsScreen
- Untitled, 1982 by Joan Thorne (abstract with bright colors)By Joan ThorneLocated in New York, NYThe limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...Category
1980s Abstract Expressionist Abstract Prints
MaterialsScreen
- Illustrated Set, 2010 by Terry Winters (Red and Blue)By Terry WintersLocated in New York, NYFrom his body of "Illustrated Set" work, this print by Terry Winters takes the printmaking process itself as subject. Winters became inspired by how his prints appeared before press,...Category
2010s Contemporary Abstract Prints
MaterialsScreen
You May Also Like
- Color Forms (A)By Leon Polk SmithLocated in New York, NYLeon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...Category
1970s Color-Field Abstract Prints
MaterialsScreen
- Color Forms (B)By Leon Polk SmithLocated in New York, NYLeon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....Category
1970s Color-Field Abstract Prints
MaterialsScreen
- Color Forms (D)By Leon Polk SmithLocated in New York, NYLeon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....Category
1970s Color-Field Abstract Prints
MaterialsScreen
- Shadow LineBy Kenneth NolandLocated in Toronto, OntarioKenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...Category
1960s Color-Field Abstract Prints
MaterialsScreen
- Cycle 2, Colorful Silkscreen by Jay RosenblumBy Jay RosenblumLocated in Long Island City, NYArtist: Jay Rosenblum, American (1933-1989 Title: Cycle 2 Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition size: 250 Size: 25 in. x 34.5 in. (63.5 cm x 87.63 cm)Category
1970s Color-Field Abstract Prints
MaterialsScreen
- Monotype with hand painting geometric abstraction by renowned color field artistBy Kenneth NolandLocated in New York, NYKenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...Category
1980s Color-Field Abstract Prints
MaterialsAcrylic, Monotype, Pencil, Screen