Items Similar to "October" Red and Blue Minimal Linear Print Edition 9 of 15
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Marianni"October" Red and Blue Minimal Linear Print Edition 9 of 151975
1975
About the Item
Red and blue linear print that is signed by Marianni. The work is similar to the style of famous artist Bernett Newman who painted strickly colorful paintings with a "zip" that broke apart the composition of the canvas. It is given an edition 9 of 15. It was titled by the artist and dated. The work is not framed.
- Creator:Marianni
- Creation Year:1975
- Dimensions:Height: 21 in (53.34 cm)Width: 29 in (73.66 cm)Depth: 0.004 in (0.11 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1969
1stDibs seller since 2014
785 sales on 1stDibs
Typical response time: 5 hours
- ShippingRetrieving quote...Ships From: Houston, TX
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Colorful Modern Abstract Red, Pink, and Green Geometric Lithograph APLocated in Houston, TXColorful modern abstract lithograph by modern Texas artist Allan Otho Smith. The work features a series of geometric shapes in red, pink, and green tones. The use of complementary co...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- "Upper Room" Modern Abstract Figurative Female Lithograph Edition 10/75By John BiggersLocated in Houston, TXModern abstract figurative lithograph by renowned artist John Biggers. The work features a trio of women carrying a house on their backs set against a rural landscape. Signed, titled, dated, and editioned along the front lower margin. Currently hung in a black frame with a white matting. Dimensions Without Frame: H 38.75 in. x W 27 in. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...Category
1980s Modern Figurative Prints
MaterialsLithograph
- Black and White Abstract PrintBy Katja JacobsLocated in Houston, TXAbstract lithograph of a black mass with a painterly appearance around the mass. Painting is signed by the artist on the bottom right corner. It is framed in a light wood frame with ...Category
1960s Abstract Abstract Prints
MaterialsLithograph
- “And then all that divided them merged” Banner Design for THE DINNER PARTYBy Judy ChicagoLocated in Houston, TXOffset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...Category
1970s Contemporary Abstract Prints
MaterialsLithograph
- "The Tower of Babel" Yellow, Blue, and Green Geometric Abstract LithographLocated in Houston, TXYellow, green, and blue geometric abstract lithograph by Israeli artist Ilan Hasson. The piece depicts the tower of babel made with various building shapes with metallic details. The...Category
1980s Abstract Abstract Prints
MaterialsLithograph
- Black and White Etching of AngelsLocated in Houston, TXMonochromatic abstract figurative lithograph of the Seven Archangels. Framed and matted in a beautiful ornate gold frame. Unsigned. Dimensions With Frame: H 6.13 in. x W 8 in.Category
Early 20th Century Abstract Figurative Prints
MaterialsLithograph
You May Also Like
- Poster of Brice Marden's studio (hand signed by Brice Marden) Nan Goldin photoBy Brice MardenLocated in New York, NYBrice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...Category
2010s Minimalist Abstract Prints
MaterialsPencil, Lithograph, Offset
- Sit on Steel, European Minimalist poster, Hand Signed & Inscribed to NadineBy Bernar VenetLocated in New York, NYBernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...Category
1990s Minimalist Landscape Prints
MaterialsLithograph, Offset, Permanent Marker
- Blue and Green over OrangeBy Ellsworth KellyLocated in New York, NYPrinter: Imprimerie Arte, Paris Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue raisonné: Axsom 29 Signed and numbered in pencil, lower marginCategory
1960s Minimalist Abstract Prints
MaterialsLithograph
- Three Sheets Framed Lithograph by Lennart NystromBy Lennart NyströmLocated in Long Island City, NYArtist: Lennart Nyström, Swedish (1944 - ) Three Sheets Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 131/140 Size: 25 x 19 in. (63...Category
1970s Minimalist Abstract Prints
MaterialsLithograph
- Composition, Minimalist Lithograph by Lennart NystromBy Lennart NyströmLocated in Long Island City, NYArtist: Lennart Nyström, Swedish (1944 - ) Tan and Brown Composition circa 1980 Lithograph, signed and numbered in pencil Edition of 13/150 Size: 25.5 ...Category
1970s Minimalist Abstract Prints
MaterialsLithograph
- Blue / Black / Red / GreenBy Ellsworth KellyLocated in New York, NY4-color lithograph Sheet: 24 7/8 x 88 3/4 in. (63.2 x 225.4 cm) Edition of 45 Signed and numbered in pencil Published by Gemini G.E.L., Los Angeles FramedCategory
Early 2000s Minimalist Abstract Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Linear Vintage
Otto Hofman
Peter Ein Hod
Robert Indiana Hope Sculpture
Robert Lee Miller
Robert Motherwell Africa
S R Hughes
Sam Francis Poster
Susan Rothenberg
Tom Werner
Vintage Farming Tools
Vintage Gravestone
Vintage Gravestones
Whaling Prints
337 Painting
Absolut Vodka Poster
Alejandro Rios
Alexander Calder Sun