1930s Abstract Prints
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Period: 1930s
Cahiers d'art, Surrealist Composition 1
By Joan Miró
Located in Fairlawn, OH
Cahiers d'art, Surrealist Composition 1
Pochoir, 1934
Unsigned as issued in Cahier's edition
Published in Cahier's d'art, 1934
Unsigned Edition of 1200
There was also a pencil signed...
Category
Surrealist 1930s Abstract Prints
Materials
Stencil
Bonne dans l'Atelier de Sculpture' (S.V. 71)
Located in New York, NY
Pablo Picasso executed the Vollard Suite, a set of etchings depicting classically inspired imagery (the suite is name after Ambroise Vollard, the dealer who commissioned the work). T...
Category
Abstract Geometric 1930s Abstract Prints
Materials
Etching
Deux nus Dansant, Modern Drypoint Etching by Fernand Leger
Located in Long Island City, NY
Deux nus Dansant
Fernand Leger, French (1881–1955)
Date: circa 1932
Drypoint Etching
Image Size: 8.5 x 7.5 inches
Size: 14.75 x 11 in. (37.47 x 27.94 cm)
From the collection of the l...
Category
1930s Abstract Prints
Materials
Drypoint, Etching
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Abstract Prints
Materials
Lithograph, Stencil
Tentoonstelling/Bki 1931
Located in New York, NY
Paul Schuitema - 1879-1973
Tentoonstelling/Bki 1931
23 ½ x 18”. Unlined.Good condition with the exception of a small minor tear top middle poster.Good color.
Rare.
A pioneer in mode...
Category
De Stijl 1930s Abstract Prints
Materials
Lithograph
Miró, L’air (Benhoura 395), Verve: Revue Artistique et Littéraire (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, Dec...
Category
Modern 1930s Abstract Prints
Materials
Lithograph
Delaunay, Planche No. 20, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 7, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman
Located in New York, NY
"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman
Sybil Andrews CPE (British/Canadian, 1898-1992)
"Rush Hour" (Coppel SA 11)
Linocut printed in Chinese orange, Chinese blue and black, 1930, on tissue thin oriental laid paper, signed, titled and numbered 8/50 in pencil lower left, framed
Block 209 x 251mm (8 1/4 x 9 7/8in)
Sheet 249 x 310mm (9 3/4 x 12 1/4in)
Framed by Bark 14 1/2 x 16 inches
BIO
Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.)
Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm.
Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period.
John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life.
She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass...
Category
Modern 1930s Abstract Prints
Materials
Linocut
Delaunay, Planche No. 32, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 24, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 12, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Miró, L'Ete (Dupin 1310; Benhoura 396), Verve: Revue Artistique (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition; lithograph by Miro on verso, with signature, date, and title, verso, as issued. ...
Category
Modern 1930s Abstract Prints
Materials
Lithograph
Delaunay, Planche No. 38, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 14, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 15, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 23, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 33, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 1, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 2, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 40, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 18, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 5, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 9, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 31, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 16, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 8, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 25, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 28, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 37, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 27, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 39, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 36, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 3, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 29, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 13, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 34, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 11, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 35, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 6, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 30, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 26, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 4, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 21, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 19, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 10, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 17, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Delaunay, Planche No. 22, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Abstract Prints
Materials
Stencil
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van Gelder, with a series of engravings (Nos. 56 to 115); 80 copies on Holland Van Gelder (Nos 116 At 195); 800 copies on velly of Annonay, of the brothers Montgolfier (Nos. 196 to 995), and some non-commercial copies, marked J. R. B., and all signed by the publisher.
MARIE LAURENCIN (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult .
Category
Modern 1930s Abstract Prints
Materials
Lithograph