Albrecht Dürer
Samson Killing the Lion
1496/1497

Name: Samson Killing the Lion
Brand: Albrecht Dürer
Price: 34172.7 USD
Availability: InStock

About the Item

The woodcut is listed as Bartsch: 2, Medes: 107d. Upon returning from his 1495 trip to Italy, Albrecht Dürer produced large woodcuts of unprecedented complexity culminating in his Samson and the Lion and his apocalypse series. Samson, depicted as superhuman, fights a lion. The beast’s death is imminent as the Old Testament hero plants his right leg on the lion’s neck and prepares to rip its jaws apart. The animal’s natural ferocity is surpassed by Samson’s own wild expression and the agitation of his hair and clothing. Dürer’s lines describe far more than contour and shading; he ably mimicked different textures and materials. The lion, other than its tail, is rendered by a myriad of short lines, not just a simple outline, to suggest its brushy fur. Longer, flame-like lines are used for its mane. Samson’s muscular body, the softer fabric of his clothing and the landscape details are all handled differently. His left leg exhibits a strong contour or outline; long, slightly curving lines define the muscles of the lower leg; and small concentric strokes capture the rounded swelling of the thigh muscles. Alternating bands of light and dark, especially evident in the hillside on the right, create a convincing atmospheric perspective. The distant mountains are made using a few simple, overlapping lines, yet these are sufficient to imply their presence. The artist added a few birds above Samson’s head to define the middle ground and facilitate the transition through space. Remarkable gradations from deep blacks to intense whites are apparent in the lion’s head. Provenance: Aukiton Karl & Faber, Munich 1981 Private collection, Germany Private collection, Zurich

Creator:

Albrecht Dürer (1471-1528, German)

Creation Year:

1496/1497

Dimensions:

Height: 14.77 in (37.5 cm)Width: 10.83 in (27.5 cm)

Medium:

Woodcut

Period:

15th Century and Earlier

Condition:

Gallery Location:

Zürich, CH

Reference Number:

1stDibs: LU2570212691572

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Albrecht Dürer

Albrecht Dürer revolutionized woodcut printmaking as an artform and his influence over the medium's practitioners has endured for centuries. Revered for his masterfully detailed prints and drawings, the German artist was driven by boundless curiosity. Dürer was the Renaissance personified in 16th-century northern Europe — he was more deeply engaged in the pursuits of the era’s Italian painters than any other artist from the region, an attribute that earned him the title “Leonardo of the North.”

Trained initially as a goldsmith in his father’s workshop, Dürer’s talent for art materialized early, in a self-portrait at the age of 13 in 1484. Held in the Albertina Museum in Vienna, this silverpoint drawing is one of the oldest extant self-portraits in European art.

While Dürer traveled extensively, his two stays in Venice, which took place during the turn of the 16th century, were among the most influential. There he became increasingly acquainted with the work of great Italian artists including Gentile and Giovanni Bellini, Antonio Pollaiuolo, Leonardo da Vinci and a young Raphael. Naturally, Dürer found great inspiration in the Venetians’ theoretical interests, techniques, use of color and more.

Over the course of his career, Dürer received commissions from Frederick the Wise-Elector of Saxony, Emperor Maximilian I and the Holy Roman Emperor Charles V. At one point he was commissioned to draw the first living rhinoceros seen in Europe since the Roman Empire. Despite having never actually seen the animal, Dürer made the now-famous c. 1515 woodcut based on one written account and brief sketch. For years it remained the common interpretation of what rhinos looked like to Europeans.

Dürer’s woodcuts were widely disseminated during his time, and he is the best known artist associated with the Northern Renaissance. His breathtaking technical prowess is most prominent in his three master engravings — Saint Jerome in His Study, Melencolia I and Knight, Death, and the Devil — profoundly influential works that are characterized by rich textures and meticulously detailed imagery.

Dürer’s work is in the collections of many museums, including the National Gallery in London and the Metropolitan Museum of Art in New York, while his former home in Nuremberg, Germany, has been converted into a museum dedicated to his legacy. Important works like Hare and Praying Hands can be found in the Albertina, while his second famous self-portrait from 1500 — which depicts Dürer in a fur-trimmed robe — is on display in the Alte Pinakothek in Munich.

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