Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Edmund Blampied
Summer

1914

About the Item

Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pencil. Housed in a 16 x 20-inch archival mat, suitable for framing. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank notes and a set of postage stamps for the States of Jersey. After the War and the end of the Occupation he continued to live and work in Jersey. In 1966, he died at the age of 80. He was a member of: Royal Society of British Artists, 1938 Royal Society of Painter Etchers and Engravers, 1921
More From This SellerView All
  • A Spanish Good Friday (Ronda)
    By Sir Muirhead Bone
    Located in Storrs, CT
    A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson catalog 412 state xxix. Image: 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Housed in a 22 1/4 x 15 1/2-inch period gold leaf frame. This is one of Bone's most dramatic images. The night shadows...
    Category

    1920s Modern Figurative Prints

    Materials

    Drypoint

  • The Gothic Spirit
    By John Taylor Arms
    Located in Storrs, CT
    The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Guardians of the Spire (Amiens Cathedral Number 2)
    By John Taylor Arms
    Located in Storrs, CT
    Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Relics (Speakeasy Corner).
    By Martin Lewis
    Located in Storrs, CT
    McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint

  • House on Cliff Walk, Newport, Rhode Island
    By Clifford Isaac Addams
    Located in Storrs, CT
    House on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Old Brownstones -- New York
    By Lawrence Wilbur
    Located in Storrs, CT
    Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood. Painter and printmaker Lawrence Nelson Wilbur...
    Category

    20th Century American Modern Figurative Prints

    Materials

    Drypoint, Etching

You May Also Like
  • At the Beach - Drypoint and Etching by Mino Maccari - Mid-20th Century
    By Mino Maccari
    Located in Roma, IT
    At the Beach is an original Etching and Drypoint realized by Mino Maccari in Mid-20th Century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino Macc...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Etching, Drypoint

  • View of Rome - Etching and Drypoint by C.A. Petrucci - 1964
    By Carlo Alberto Petrucci
    Located in Roma, IT
    View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...
    Category

    1960s Modern Figurative Prints

    Materials

    Etching, Drypoint

  • Bernard Sanders, Sledding in Central Park, NYC
    Located in New York, NY
    Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Drypoint

  • Irving Guyer, Christmas Trees on Second Street (NYC)
    By Irving Guyer
    Located in New York, NY
    Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
    Category

    1930s American Modern Figurative Prints

    Materials

    Etching, Drypoint

  • Capturas
    By Eduardo Leyva Herrera
    Located in New Orleans, LA
    4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca. Graduat...
    Category

    21st Century and Contemporary Modern Figurative Prints

    Materials

    Engraving, Drypoint

  • Landscape - Etching by J. F. Raffaelli - Late 19th Century
    By Jean-Francois Raffaelli
    Located in Roma, IT
    Etching and drypoint. Hand signed. Very good condition.
    Category

    Late 19th Century Modern Figurative Prints

    Materials

    Drypoint, Etching

Recently Viewed

View All