Frederic Marschall

1 etching and 1 aquatint of skating youngsters (2010)

2010

William Ploegaert (Belgium, 1959- ): iPad drawing printed on paper, epreuve d’artiste, signed and with new oak frame and museum glass.

Sierk Schröder (1903-2002) is considered to be the most important and most requested Dutch portrait painter of the twentieth century. Many well-known fi...

Unsigned oil on board painting painting of a 19th century woman holding a book and dressed with a lace hat and collar. The level of det...

Luc Vanmaldeghem (Drongen, 1935- ) painted 'Blue Table' in 1997. This large oil on canvas painting is in excellent condition. The signed and numbered monograph is included in the p...

Willy Sluiter (Amersfoort, 1873 – The Hague 1949) was a Dutch painter, draftsman and graphic designer. The boy's name was Claes Honig from Koog aan Zaan (Dutch village), as can be ...

Benjamin SPaRK is a Franco-Belgian artist born in 1969, who lives and works in Brussels. The painting was made as a gift for a friend, as it says on the back 'to my friend Alick'

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Stride for Days and Stride for Days Upside Down Diptych by Amy Gardner [2021] limited_edition Screenprint Edition number 25 Image size: H:59.4 cm x W:42 c...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

An original mixed media Photo Etching, Aquatint and Drypoint Printed on Arches Cover titled Leap Fail Leap, created by the artistic collaboration of Robert Flemming and Mizin Shin. ...