Jerzy Flisak

Manifesto Cinema - The Great Gatsby - Vintage Poster by Jerzy Flisak - 1975

1975

Dragon Fruit is an original offset and screen print realized by the Italian artist EMPHI. Open edition from the series Tuttifrutti. Hand-signed and stamp...

Whipped Cream is an offset and screen print realized by the Italian artist EMPHI. Open edition from the series Tuttifrutti. Hand-signed and stamped with the artist's logo on the bac...

Mindless #2 is an original offset and screen print realized by the Italian artist EMPHI. Open edition from the series Tuttifrutti. Hand-signed and stamped with the artist's logo on ...

Pattern is an original offset and screen print realized by the Italian artist EMPHI. Open edition from the series Tuttifrutti. Hand-signed and stamped with the artist's logo on the ...

Enchanted is an original offset and screen print realized by the Italian artist EMPHI. Open edition from the series Tuttifrutti. Hand-signed and stamped with the artist's logo on th...

Libido is an original offset and screen print realized by the Italian artist EMPHI. Open edition from the series Tuttifrutti. Hand-signed and stamped with the artist's logo on the b...

Rare offset Lithograph Poster on gloss stock paper with a semi gloss finish depicts Barack Obama as Superman. Plate signed on the lower right corner (front). Limited edition release ...

Rare Offset Lithograph on gloss stock paper with a semi gloss finish depict multiple images of supermodel Kate Moss. Plate signed on the lower left recto (front). Limited edition rel...

Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately ...

Homage to Francis Bacon (Study for Head of Isabel Rawsthorne, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 33/300. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...

Homage to Francis Bacon (Study for Head of George Dyer, moiré) is an offset lithograph, 19.5 x 19.5" image size, signed and numbered lower right, and framed in a contemporary, silver-tone moulding. From the edition of 300, numbered 100/300. Framed in a white contemporary frame, image to be updated. Regarding Murakami’s longtime fascination with Francis Bacon, Murakami was struck by “the way Bacon would distort human faces in his paintings. Murakami compared the process to the way a plug-in for a computer might morph a face in a certain way in Photoshop. “I really think about how Bacon might have transformed a face, and the methodology and the form of it, and that’s how I’ve been trying to do the same kind of transformation using Bacon’s style,” he said.” (Ann Binlot, “Takashi Murakami Talks Instagram Exposure for Emerging Artists, Francis Bacon, and Virgil Abloh,” Forbes, 11 June 2018. During the 20th century, both Isabel Rawsthorne and George Dyer were close companions to the British artist Francis Bacon. Rawsthorne frequently associated with an elite milieu of artists during her generation, while Dyer entered a tumultuous relationship with Bacon and was often portrayed in the artist’s paintings. In Murakami’s Study of Isabel Rawsthorne and Study of George Dyer we find his quintessential use of the Superflat method combined with an adaptation of Western iconography. In addition to the wildly distorted faces...

Francesco Clemente Life is Paradise (Hand signed by Francesco Clemente), 1999 Hardback monograph (hand signed by Francesco Clemente) Boldy signed by Francesco Clemente on the title p...