Items Similar to Devil's Bridge - Lithograph - 1862
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Various AuthorsDevil's Bridge - Lithograph - 18621862
1862
About the Item
Devil's Bridge is a hand colored lithograph realized in 1864.
Good condition.
The artwork belongs to ththe Suite Uses and customs of all the peoples of the universe, or History of the government, of the laws, of the militia, of the religion of all the nations from the most remote times up to the present day.
- Creator:Various Authors
- Creation Year:1862
- Dimensions:Height: 10.24 in (26 cm)Width: 6.7 in (17 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1427391stDibs: LU650313198682
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,832 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Port Fanaraki - Original Lithograph - Mid 19th CenturyLocated in Roma, ITPort Fanaraki is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Lett...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph
- Sistow in Bulgarien - Original Lithograph - 19th CenturyLocated in Roma, ITSistow in Bulgarien is an Original Litograph realized by an unknown artist in 19th century. The little artwork is in good condition. No signature, title in Yugoslawien.Category
19th Century Modern Figurative Prints
MaterialsLithograph
- View of Widdin - Original Lithograph - 19th CenturyLocated in Roma, ITView of Widdin is an Original Lithograph realized by an unknown artist in 19th century. The little artwork is in good condition. No signature, title on the lower margin in Bulgarien.Category
19th Century Modern Figurative Prints
MaterialsLithograph
- View of Ruschtschuk - Original Lithograph - 19th CenturyLocated in Roma, ITView of Ruschtschuk is an Original Lithograph realized by an unknown artist in 19th century. The little artwork is in good condition. No signature, title on the lower margin in Bul...Category
19th Century Modern Figurative Prints
MaterialsLithograph
- View of Cordova - Original Lithograph by Eigenthum d. Verleger - 19th CenturyLocated in Roma, ITAncient View of Cordova in Spain is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate on the lower right corner. Original lithograph on paper. Titled on the lower center. Good conditions with foxing. An impressive landscape...Category
19th Century Modern Landscape Prints
MaterialsLithograph
- Landscape - Original Lithograph - 1856Located in Roma, ITLandscape is an Original Litograph realized by an unknown artist in 1856. The little artwork is in good condition, except for darkened paper along the edges. No signature, title in...Category
19th Century Modern Figurative Prints
MaterialsLithograph
You May Also Like
- Potpourri en CielBy Alexander CalderLocated in Fairfield, CTArtist: Alexander Calder (1898-1976) Title: Potpourri en Ciel Year: 1975 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 29...Category
1970s Modern Figurative Prints
MaterialsLithograph
- Rue des Rats, Modernist Lithograph by Stuart Davis 1928By Stuart DavisLocated in Long Island City, NYA modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...Category
1920s American Modern Landscape Prints
MaterialsLithograph
- Prodigal SonBy Thomas Hart BentonLocated in London, GBA fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Discus Thrower, Felix de WeldonBy Felix de WeldonLocated in Fairfield, CTArtist: Felix de Weldon (1907-2003) Title: Discus Thrower Year: 2001 Edition: 150, plus proofs Medium: Lithograph with graphite ink on BFK Rives cream color paper Inscription: Signed...Category
Early 2000s American Modern Landscape Prints
MaterialsInk, Graphite, Lithograph
- Silver Mine, Russell Gulch (12/25) Abstract Black and White Print in MountainsBy Arnold RönnebeckLocated in Denver, COLithograph on paper titled 'Silver Mine, Russell Gulch (12/25)' by Arnold Ronnebeck, which is a black and white lithograph print of an oil painting by him of the same name. It shows a mine with a mountain ridge in the background. Presented in a custom frame measuring 20 ½ x 26 ½ inches. Image size measures 10 ¼ x 14 ¼ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Arnold Ronnebeck Expedited and international shipping is available - please contact us for a quote. About the Artist: Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926. After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth. After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York. After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz." In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan. In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News. His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...Category
1930s American Modern Figurative Prints
MaterialsPaper, Lithograph
- Original "Sint-Truiden Carnaval!" vintage festival posterLocated in Spokane, WAOriginal 1959 “Sint-Truiden Carnaval!” vintage lithograph poster. Archivally linen backed in very good condition, ready to frame. No paper loss, no tears, no stains. Excellent gr...Category
1950s Modern Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Antique Bridge
Antique Bridges
Antique Devil
Warring States Chinese
19th Impressionist French Prints
3d Printed Tables
Battle Lithographs
Dali Hand Signed Etching
Etching Woman Nude
New Look Hat
Vintage Broadway Posters
1910 Vintage Plates
Air France Plate
Cartier Japan
Chagall 1967
Jerusalem 1967
Le Corbusier Print
Memphis Print