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Werner DrewesNew Rochelle - Before the Wind1931
1931
About the Item
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in pencil. A superb, richly inked impression, in dark brown ink, with pronounced burr throughout; on buff wove Japan, with full margins, in good condition. Very scarce. Matted to museum standards, unframed.
Impressions of this work are in permanent collection of the Honolulu Academy of Arts and the Smithsonian American Art Museum.
Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy, and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both nonobjective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career.
Drewes graphic works are included in the permanent collections of numerous major museums and public collections including: The Art Institute of Chicago, Bauhaus Archive Museum of Design (Berlin), Brooklyn Museum of Art, Guggenheim Museum, Museum of Modern Art, National Gallery of Art, New York Public Library, Smithsonian American Art Museum, U.S. Library of Congress, Yale University Art Gallery.
- Creator:Werner Drewes (1899-1985, American)
- Creation Year:1931
- Dimensions:Height: 13.88 in (35.26 cm)Width: 10.88 in (27.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
Werner Drewes
Werner Drewes was a painter, printmaker, and teacher, who was born in Canig, Germany, in 1899. His father, a Lutheran Minister, hoped he would become an architect, but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921, where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasquez and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Piet Mondrian and Lyonel Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 World's Fair building, and had shows at the Museum of Modern Art, Kleeman Gallery, and elsewhere. In 1946, he accepted a tenured position at the Washington University in St. Louis. In his later years, he moved to Virginia and continued to show at galleries in Germany, Turkey, and in the United States. The Smithsonian held a show attributing his 65 years as a printmaker at the Museum for American Artists.
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