21st Century and Contemporary Interior Prints

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed by Ms. Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. CRUSADERS FOR JUSTICE was created as a tribute to Thurgood Marshall...

David Shrigley The Biggest Hottest Chilli In The World, 2023 12 colour screenprint with varnish overlay 29 9/10 × 22 in (76 × 56 cm) Edition of 125 David Shrigley’s drawings, paint...

Teatro Degollado Guadalajara III - Contemporary, 21st Century, C Print, Limited Edition, Photography, Red, Interiors, Art 38 x 47 cm (15 x 18.5 in.) Edition of 100 Signed and numbered and accompanied by Certificate of Authenticity In mint condition, in the original packaging as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons, the work is offered unframed. Candida Höfer is known for her images of empty interiors of libraries, museums, palaces and theatres, focusing on the cultural spaces free from human presence. Part of the artist’s latest exhibition at Sean Kelly Gallery, Candida Höfer in Mexico, Teatro Degollado Guadalajara III expands her signature attention to Mexican Baroque...

Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen was introduced to the medium of mezzotint through a book by Sir Frank Short on British mezzotints. He learned through experimentatio...

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype portrays an iconic building facade from the thirties. Details: + Title: Thirties Building with...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. THE DOOR OF JUSTICE was printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free, pencil signed by Elizabeth Catlett on the lower margin, embossed with printers chop mark on lower corner, print documentation provided. THE DOOR OF JUSTICE was created as a tribute to civil rights lawyers and the people they counsel depicted as a figurative portrait drawing of two lawyer figures, male and female opening "The Door of Justice" to a gathering of everyday people awaiting outside the doorway. Printed in primary color shades of yellow, blue, red, green, brown, gray and black. Print size - 24.25 x 27.5 inches, unframed, mint condition, pencil signed by Elizabeth Catlett Image size - 18 x 22.5 inches Year published - 2000 Edition size - 100 "The measure of a country's greatness is its ability to retain compassion in time of crisis." -Thurgood...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. THE DOOR OF JUSTICE was printed using hand lithography techniques on white archival printmaking paper, 100% acid free, pencil signed by Elizabeth Catlett on the lower margin, embossed with printers chop mark on lower corner, print documentation provided. THE DOOR OF JUSTICE was created as a tribute to civil rights lawyers and the people they counsel depicted as a black and white figurative portrait drawing of two black lawyers, male and female opening "The Door of Justice" to a gathering of everyday people awaiting outside the doorway. Print size - 24.25 x 27.5 in., unframed, excellent condition, pencil signed, titled, dated by Elizabeth Catlett Edition size - 100 Year published - 2000 "The measure of a country's greatness is its ability to retain compassion in time of crisis." -Thurgood Marshall About the artist - Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University...

GLORY is a hand pulled, original limited edition relief print by the American and Mexican woman artist, printmaker and sculptor, Elizabeth Catlett. GLORY was created using linocut printmaking techniques on cream colored archival Pescia paper, made in Italy, 100% acid free. GLORY is a poetic female portrait expressed as a white line drawing depicting a upright postured black woman standing in profile view, her arm resting on a chair back, framed by plants and foliage in the background. Printed from Catlett's masterly carved linoleum block; a very strong impression printed by hand in a taupe brown ink on warm buff color printmaking paper. GLORY is unframed, in mint condition, pencil signed, titled, dated on the lower margin by Elizabeth Catlett, embossed with printers chop mark lower left, print documentation will be provided. Print size - 23.5" x 15" unframed, excellent condition, pencil signed by Elizabeth Catlett Edition size - 60 Year printed - 2008 Printer - JK Fine Art Editions Co. Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University...

GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed by Ms. Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. CRUSADERS FOR JUSTICE was created as a tribute to Thurgood Marshall, civil rights lawyer and first African-American appointed to the US Supreme Court. As a lawyer, Thurgood Marshall championed civil rights and was the lead lawyer in the pivotal Supreme Court Case Brown vs Board of Education, Topeka (1954). This impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, portrays a powerful black and white portrait of Thurgood Marshall with two seated figures, a male and female, engaged in legal counsel in the foreground. Print size - 29.5 x 21.5 in., image size - 22.5 x 18 in., unframed, excellent condition, strong impression, pencil signed by Elizabeth Catlett Edition size - 100 Year published - 2001 Printer - JK Fine Art Editions Co., NJ Published by the NAACP Legal Defense and Educational Fund, Inc., Thurgood Marshall Institute "The measure of a country's greatness is its ability to retain compassion in time of crisis." -Thurgood Marshall Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University...

SHOUT by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniques on archival Rives BFK paper, 100% acid free. ...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Tea for Two – Brock [2017] limited_edition Screenprint Edition number 156 Image size: H:31 cm x W:25 cm Complete Size of Unframed Work: H:49 cm x W:41 cm x D:0.3cm Sold Unframed Ple...

David Shrigley, Signs Of The Zodiac, 2024 61 x 91.5 cm Off-set lithography Printed on 200g Arctic Volume Narayana Press in Denmark

Offset Lithograph (poster) Edition of Unknown Size 27.56 x 19.68 in (70.0 x 50.0 cm) This is an original, authorised David Hockney poster, produced by the Kunsthalle Helsinki for t...

American artist Mark Ryden has been a champion of the Pop Surrealist aesthetic for decades, and with that he’s established a massive catalog of works that continue to be cherished to...

Ziggy is a limited edition drypoint etching by printmaker and artist, Kate Boxer. The warm brown tones in Ziggy paired with Kate Boxer's delicate use of line elevates this beautiful ...

Close Finish is an original linocut print on paper by John Scott Martin. Having cut a series of lino blocks, I prepare collage backgrounds. I handprint onto the collages, which are m...

Gannet is a limited edition drypoint print by artist Kate Boxer, featuring a gannet diagonally diving through the picture creating a minimalist composition. ADDTIONAL INFROMATION: D...

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Jenny Holzer (American, b. 1950) These Enhanced Techniques, 2012 Medium: Black pulp on white handmade paper, stenciled Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in) Edition: From the...

Keith Haring, Barking Dog, (Framed) 40 x 42 cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactured on a Fourd...

"The Weaver" Series inviting viewers into a world where memory and present interweaving in a mesmerizing display of visual creativity. - An Artist Proof's of only Three is offered as...

Koak (US American, b. 1981) All Love Is Equal, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition: Mint

Gert & Uwe Tobias (German, b. 1973) Untitled, 2008 Medium: Opaque white, gouache and pastel crayon over drypoint on wove paper (and artist’s book) Dimensions: 36 x 26.4 cm Unique edi...

JR (French, b. 1983) Women Are Heroes, Elizabeth Kamanga on Sea, Le Havre, France, 2021 Medium: Lithograph in colors on BFK Rives paper Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in) E...

Kerry James Marshall retrospective titled “Mastry, lithography with custom framed . Kerry James Marshall was born in 1955 in Birmingham, Alabama. The subject matter of his paintings...

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Flashman by Kate boxer consists of  red and orange tones that display a man in uniform  ADDTIONAL INFROMATION: Sold unframed Limited Edition of XXX Made with Drypoint, carborundum ...

Guy Gee, St Lucia (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

Backy is a hand coloured limited edition drypoint etching with carborundum by Kate Boxer. Backy is a limited edition print in an edition of 30. The bold monochromatic work contrasts ...

John Baldessari (American, 1931-2020) Give me a B, give me an A …, 2009 Medium: 10-part leporello, digital pigment print, on photo rag paper Dimensions: 32 × 250 cm (12½ x 98½ in) Ed...

Shepard Fairey (Obey Giant) Liberté égalité fraternité (Liberty Equality Fraternity) Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,...

Original screenprint poster for Rupprecht Geiger's exhibition “Rupprecht Geiger – Eine Werkschau zum 100. Geburtstag” from 2007-2008. This screenprint was produced in a limited edit...

artist: Anastasia Kurakina title: Joker print on paper limited edition 165x100cm hand signed Anastasia Kurakina Art education: 2018 Sorbonne University, Paris 2014 – MA Fine Art at...

Allen Jones (British, born 1937) Performance in Print, 2020 Medium: Fine-Art-Giclée-Print on Hahnemühle Agave 290gsm with Catalogue Raisonné of the Prints 1996–2020 – Volume II Dimen...

Ed Ruscha (b. 1937) Sweet Taters, 2021 Medium: Fine bone china plate 10 7/10 in diameter 27.3 cm diameter Edition of 250: Printed signature and edition details on verso Condition: E...

Paul Noble (British, b. 1963) Playframe, 2000 Medium: Offset lithograph on paper DImensions: 26 × 21 cm (10 1/5 × 8 3/10 in) Edition of 100: Hand-signed and numbered Condition: Excel...

Marlene Dumas (South African, b. 1953) United Europe, 2003/05 Medium: Digital pigment print on rag paper Dimensions: 37 x 28 cm (14.5 x 11 in) Edition of 75: Hand-signed and numbered...

Martini Corner, is an interior photograph by Richard Heeps, captured in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century f...

Shepard Fairey (American, b. 1970) Floral Harmony (Red Yin/Yang), 2020 Medium: 2 screenprints on paper Dimensions: each 24 x 18 in (61 x 46 cm) Edition of 100: Each hand-signed and n...

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

Gerhard Richter (German, b. 1932) Cage P19-3, 2020 Medium: Diasec-mounted Giclée print on aluminium composite panel Dimensions: 100 × 100 × 3 cm (39 2/5 × 39 2/5 × 1 1/5 in) Edition of 200: Numbered and labelled on verso; unsigned, as issued Publisher: HENI Editions, London Condition: Mint (shipped in original box) “One of a series of Giclée prints based on Gerhard Richter’s ‘Cage...

David Shrigley (British, b. 1968) We Won the Race, 2020 Medium: Etching on Somerset 250 g Dimensions: 29 x 38 cm Edition of 20: Hand-signed and numbered in pencil Condition: Mint

JR (French, b. 1983) Ballerina in Containers, Holding Tight, Le Havre, France, 2022 Medium: Lithograph in colors on wove paper Dimensions : 70 x 100 cm (27.5 x 39.5 in) Edition of 18...

Morocco , 70x70cm, print on canvas

Damien Hirst (British, born 1965) Fruitful (Large), 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 78 x 78 cm Edition of 1928: Digitally signed by the a...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) L’ultima visita di Mao a Venezia, 2002 Medium: Portfolio containing 12 lithographs in color, on paper (in red cloth folder) Image...

JR (French, b. 1983) Un groupe posant dans une barque amarrée sur la plage revu par JR, Marseille vers 1930, 2013 Medium: Lithograph on wove paper Dimensions : 70 x 100 cm (27.5 x 39...

Morocco , 70x70cm, print on canvas

Guy Gee, Costa Rica (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally re...

Under the Sea 5 by Paula Craioveanu, New Media composition printed on canvas Size is 27.5 x27.5in / 70x70cm part of my "NeoMythology" series. Shipped rolled in a tube.

Under the Sea 3 by Paula Craioveanu, New Media composition printed on canvas Size is 27.5 x27.5in / 70x70cm part of my "NeoMythology" series. Shipped rolled in a tube.

Under the Sea 5 by Paula Craioveanu, New Media composition printed on canvas Size is 27.5 x27.5in / 70x70cm part of my "NeoMythology" series. Shipped rolled in a tube.

Under the Sea 4 by Paula Craioveanu, New Media composition printed on canvas Size is 27.5 x27.5in / 70x70cm part of my "NeoMythology" series. Shipped rolled in a tube.