Items Similar to Adriaen Frans Boudewyns After Adam-François Van Der Meulen, Etching
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Adriaen Frans BoudewynsAdriaen Frans Boudewyns After Adam-François Van Der Meulen, Etchingc. 1670
c. 1670
About the Item
This 17th-century engraving by Flemish draughtsman Adriaen Frans Boudewyns (1644-1719) is after a painting by Adam-François van der Meulen (1632-1690). It depicts the French calvary of Louis XIV resting unscathed following another military success.
Endless wars, brutality, famine and death scarred 17th-century Europe - with Louis XIV being one of the key protagonists. Under him, the French were led into five serious wars - War of Devolution (1667-68), the Dutch War (1672-78), War of the Reunions (1679-1684), the Nine Years’ War (1688-1697), and War of the Spanish Succession (1702-1714). And with this many battles to undertake, he needed a first-rate artist to catalogue them all.
Up stepped Adam Frans van der Meulen, a Flemish painter well-versed in capturing the drama of military conquests. He became an important cog in Louis’ propaganda machine and produced numerous paintings celebrating notable French successes. Of course, it’s fair to say that his version of events, although finely rendered, were undoubtedly a little one-sided.
To reach a wider audience, van der Meulen hired Adriaen Frans Boudewyns to work alongside him and produce prints of various works. Our engraving from circa 1690 is a good example of Boudewyns deft touch and also highlights van der Meulen’s ‘glass half full’ approach. Here, we see the men lazing around as if relaxing in sun-drenched Provence. Several carrying swords with apparently no chance of using them.
It’s also interesting to note the triangular form with its apex at the church. Van der Meulen is reminding any potential recruit that God is very much on the side of the French.
Signed in the plate and held within a contemporary frame.
Adriaen Frans Boudewyns trained under landscape painter Ignatius van der Stock. His works are held in numerous public collections including at the National Gallery of Art and National Galleries of Scotland.
- Creator:Adriaen Frans Boudewyns (1644 - 1719, Flemish)
- Creation Year:c. 1670
- Dimensions:Height: 11.5 in (29.21 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Artwork presents well. Frame with some light wear.
- Gallery Location:Cheltenham, GB
- Reference Number:1stDibs: LU2328211676292
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2017
1stDibs seller since 2023
134 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Cheltenham, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Henry Robert Robertson, Ave Maria, EtchingBy Henry Robert RobertsonLocated in Cheltenham, GBThis fine late 19th-century etching by British artist Henry Robert Robertson (1839-1921) depicts a couple worshipping a shrine to the Virgin Mary at sea. The original painting was ex...Category
19th Century Academic Landscape Prints
MaterialsPaper, Etching
- Jacques-Philippe Le Bas After Gerard Metsu, Portrait Of A Lady, EtchingBy Jacques-Philippe Le BasLocated in Cheltenham, GBThis exquisite 18th-century engraving by Jacques-Philippe Le Bas (1707-1783) is after a portrait by Dutch artist Gerard Metsu (1629-1667). It formed part of Jean Baptiste Pierre Le Brun’s 'Galerie des Peintres Flamands, Hollandais et Allemands; Ouvrage enrichi de Deux Cent Planches graves d'apres les meilleurs Tableaux de ces Maitres'. Jean Baptiste Pierre Le Brun is considered one of the most influential art dealers in European history. His publication, Galerie des Peintres Flamands etc, illuminated the darkened corners of Dutch and Flemish art while also building acclaim for known luminaries, such as Gerard Metsu. Via the ‘Galerie’, Le Brun mentions Vermeer for the first time and sets the great Dutch master on a path to notoriety. He also unearthed several of Rembrandt’s followers, such as Ferdinand Bol...Category
18th Century Old Masters Portrait Prints
MaterialsEtching, Paper
- Jacques Coelemans After Chivoli, EngravingLocated in Cheltenham, GBThis fine early 18th-century engraving by flemish printmaker Jacques Coelemans (1654-1732) was commissioned by Jean-Baptiste II de Boyer (1645-1709) and formed part of ‘Recueil D'Estampes D'Aprés Les Tableaux Des Peintres Les Plus Celebres D'Italie, Des Pays-Bas Et De France, Qui sont à Aix dans le Cabinet de M. Boyer d'Aguilles’. Within mountainous terrain and partially hidden by rocks, a muscular man...Category
Early 18th Century Old Masters Nude Prints
MaterialsPaper, Engraving
- Axel Wallert, Fashionable Lady With Feathered Hat, EtchingLocated in Cheltenham, GBThis stylish early 20th-century etching by Swedish artist Axel Wallert (1890-1962) depicts a young lady wearing an extraordinary hat. She’s attending a busy function and dressed to impress in the fashion-a-la-mode. It’s tricky to decipher exactly how the hat is constructed but it’s probably feathered. It’s reminiscent of Edwardian bird hats...Category
Early 20th Century Impressionist Portrait Prints
MaterialsPaper, Etching
- Axel Wallert, Seated Woman With Mandolin, EtchingLocated in Cheltenham, GBThis exquisite early 20th-century etching by Swedish artist Axel Wallert (1890-1962) depicts a seated woman playing the mandolin. It’s brimming with style yet captured with sensitivi...Category
1910s Post-Impressionist Figurative Prints
MaterialsPaper, Etching
- Albert Kruger After Max Liebermann, The Flax Barn at Laren, EtchingLocated in Cheltenham, GBThis late-19th-century etching by German draughtsman Albert Kruger (b. 1858) is after a painting by Max Liebermann (1847-1935). The rhythmical monotony of the spinners, organised like a rigid machine, echoes through the low barn. Youths, hunched by square windows, wind flax onto spindles. While women stand in clogged feet, working tirelessly with aching bones. Liebermann captured their daily grind with aplomb, avoiding sentiment in favour of laborious reality. Yet, amid this harsh environment, he celebrates their efforts. The composition conveys determination with its lines and strong verticals while the atmosphere is one of steel rather than tortuous circumstance. Liebermann was a realist yet he found light among the ordinary. Originally published in The Art Journal...Category
1890s Victorian Interior Prints
MaterialsPaper, Etching
You May Also Like
- Jan Six by Pierre François Basan, after RembrandtBy (After) Rembrandt van RijnLocated in Middletown, NYEtching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...Category
Early 19th Century Old Masters Landscape Prints
MaterialsLaid Paper, Etching, Handmade Paper
- 18th century landscape etching pastoral house nature scene detailed ink treesBy John Thomas SmithLocated in Milwaukee, WI"English Country Fisherman by the Cottage" is an original etching by John Thomas Smith. The miniature etching features a country cottage with a thatc...Category
1790s Old Masters Landscape Prints
MaterialsPaper, Ink, Etching
- 18th century landscape etching pastoral nature scene detailed ink treesBy John Thomas SmithLocated in Milwaukee, WI"Near Tottenham Midd." is an original etching by John Thomas Smith at the top right of the image, reading "Drawn & Etch'd by J. T. Smith, Engraver of the Antiquities of London & Envi...Category
1790s Old Masters Landscape Prints
MaterialsPaper, Ink, Etching
- 18th century landscape etching pastoral house nature scene detailed ink treesBy John Thomas SmithLocated in Milwaukee, WI"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...Category
1790s Old Masters Landscape Prints
MaterialsPaper, Ink, Etching
- Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...By Giuseppe VasiLocated in Middletown, NYBy Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...Category
Late 18th Century Old Masters Landscape Prints
MaterialsWatercolor, Laid Paper, Engraving, Etching
- Venus Lamenting over the Death of AdonisBy Herman van SwaneveltLocated in Middletown, NYc. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...Category
Mid-17th Century Old Masters Landscape Prints
MaterialsHandmade Paper, Engraving, Etching