Items Similar to Bad Gastein Church, Austria
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Luigi KasimirBad Gastein Church, Austria
About the Item
Bad Gastein Church, Austria
Soft ground etching & aquatint, c. 1930
Signed in pencil by the artist (see photo)
Image: 18 1/2 x 13 3/4"
Condition: Very good condition with brown paper tape along the edges of the large margins. Matted.
Reference: Kasimir 92
NOTE; THIS IS AN EARLY PRINTING, NOT TO BE CONFUSED WITH THE LATER PRINTINGS AND RESTRIKES
Provenance: Ernst and Young, Cleveland, c. 1960
- Creator:Luigi Kasimir (1881 - 1962, Austro-Hungarian)
- Dimensions:Height: 18.5 in (46.99 cm)Width: 13.75 in (34.93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Luigi Kasimir
Alois Heinrich “Luigi” Kasimir (Austrian, 1881-1962) was born on April 18, 1881 in Ptuj, Austria (today Slovenia) then a part of the Austro-Hungarian monarchy. He may have inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father, an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Willhelm Unger, who introduced him to the technique of the color etching, and also to his future wife, the artist Tanna Hoernes. Kasimir was among the early practitioners of the multi-plate color etching. Before this, prints were usually hand-colored with the color being applied in a casual, haphazard manner. Kasimir would first create a sketch—usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the color to the plate - all done by hand. Although Luigi Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favorite genres was the landscape. He demonstrated a predisposition for monuments, street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York skyscrapers to natural wonders like California’s Yosemite Valley. Kasimir designed a bookplate for Sigmund Freud, who also hung an etching of the Roman Forum by Kasimir in his consulting room. Kasimir’s wife, Tanna and their son Robert worked in a similar style. Luigi Kasimir died in 1962 in Grinzing, a suburb of Vienna, Austria
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
718 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Westminster PalaceBy Félix Hilaire BuhotLocated in Fairlawn, OHWestminster Palace Etching, Drypoint, Aquatint, roulette and salt ground lift 1884 Depicts the Houses of Parliament, Big Ben Clock and Tower and the River Thames in the foreground. S...Category
1880s French School Landscape Prints
MaterialsEtching
- L’Angelus (The Bell Tower)By Félix Hilaire BuhotLocated in Fairlawn, OHL’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...Category
1870s French School Landscape Prints
MaterialsEtching
- Saint TropezBy André Dunoyer de SegonzacLocated in Fairlawn, OHSaint Tropez Etching with aquatint, printed in colors, 1964 Signed in ink and numbered in pencil Edition: 71/100 Issued for the album St. Tropez et la Provence, in 1966 Reference: Lo...Category
1960s Post-Impressionist Landscape Prints
MaterialsEtching
- A L'Ombre (In Shadow)By Louis LegrandLocated in Fairlawn, OHA L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...Category
Early 1900s Art Nouveau Landscape Prints
MaterialsEtching
- The Monumental TabletBy Giovanni Battista PiranesiLocated in Fairlawn, OHThe Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first is...Category
1740s Old Masters Prints and Multiples
MaterialsEtching
- La Grande Cascade de Saint CloudBy Alfredo MüllerLocated in Fairlawn, OHLa Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in pencil lower left. Titled in pencil verso Published by Edmund Sagot, Paris, his dry stamp lower right below signature. Image: 23-1/8 x 17-3/8" (58.7 x 44 cm.) From the British Museum: "Colour etcher. Born in Livorno from a family of wealthy Swiss cotton merchants, studied with Giuseppe Ciaranfi and Michele Gordigiani in Florence. In 1886 exhibited with Fattori, Achille Lega and Tommasi in the Prima Esposizione delle Belle Arti in Livorno. In 1888 he and his family moved to Paris, where he studied first with François Flameng until 1892 and later with Carolus-Duran. Müller remained in the French capital until the outbreak of the First World War, taking French citizenship in 1913. He worked in the countryside at Barbizon, Suresnes and elsewhere, but also made frequent visits to his native country, where he exhibited regularly in Florence with the Promotrice Fiorentine. His early work was indebted to Fattori and Plinio Nomellini, but he soon became interested in the Impressionists and was credited by the critic Mario Tinti with introducing the luminism of Monet into Italian art. Müller was a member of the Société des Artistes Indépendents and exhibited regularly in the Paris dealer George Petit's annual exhibitions of colour prints. He made his first print in 1896, a lithographic portrait of the poet Paul Verlaine in the Café Procope. The following year Müller made his first colour aquatints. Among them were a series of illustrations to Dante's Divine Comedy. In style his etchings and aquatints were influenced by Manuel Robbe. Very occasionally he combined drypoint or soft ground etching with aquatint. Müller's principal publisher was Pierrefort, who also issued prints by Toulouse-Lautrec. After 1903 he largely abandoned aquatint for pure etching. Fourteen of his colour etchings were reproduced over a number of months in the weekly magazine 'Le Courrier français'. Müller also made a small number of colour lithographs, some of which were published by the Parisian print dealer Sagot. A single monotype of Mallarmé done in 1911, thirteen years after the poet's death in 1898, is recorded. Müller made a few landscape prints and a couple of etchings of fishing boats, but his principal subject was young women in long dresses. Often there is an aura of fin-de-siècle wistfulness. When he returned to Italy, he lived first in Taormina, then in Florence, and finally settled in a villa at Settignano. Müller largely abandoned printmaking after 1914. Only three more prints by him made in 1920, 1925 and 1933 are recorded after he moved back to his native country. Müller was a regular exhibitor in Florentine exhibitions, the most significant of which was the 1922 Primaverile Fiorentina. He returned to France in 1930 where he died in 1939. (Text by Martin Hopkinson)" Said to rival the fountains at Versailles, La Grande Cascade is still turned on for a few hours every Sunday in June. The Grande Cascade, constructed in 1664-1665 by Antoine Le Pautre has survived. The château was expanded by Phillipe de France, duc d'Orléans in the 17th century, and finally enlarged by Marie Antoinette in the 1780s. Napoleon I and Napoleon III also used the palace, which was a U-shaped scheme of three sections, open to the east. Destroyed by fire (with the exception of a few outbuildings and its majestic garden) in 1870, during the Franco-Prussian War. The burned-out shell stood until 1891, when it was demolished. The gardens were replanned by André Le Nôtre...Category
Early 1900s French School Prints and Multiples
MaterialsAquatint
You May Also Like
- Cityscape with BridgeLocated in San Francisco, CAThis artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...Category
Mid-20th Century Realist Figurative Prints
MaterialsEtching
- City Service Building (70 Pine Street, Manhattan)By Richard HaasLocated in New York, NYRichard Haas City Service Building (70 Pine Street, Manhattan), 2005 Etching Signed, titled, dated and numbered 7/20 in pencil on the front 20 × 16 inches Unframed Rare print by Rich...Category
Early 2000s Realist Landscape Prints
MaterialsEtching, Pencil
- 1804 St George's Chapel Windsor Castle printBy Frederick NashLocated in London, GBFrom a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...Category
Early 1800s Realist Landscape Prints
MaterialsAquatint, Etching
- 1804 St George's Chapel Windsor Castle printBy Frederick NashLocated in London, GBFrom a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...Category
Early 1800s Realist Landscape Prints
MaterialsAquatint, Etching
- MontagueBy Sarah DuncanLocated in Deddington, GBMontagne by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Montagne is a limited edition signed etching print on paper by Sarah Duncan of a black and white mountain...Category
21st Century and Contemporary Realist Landscape Prints
MaterialsEtching
- The Pantheon in Rome: A 19th Century Etching by CottafaviLocated in Alamo, CAThis is a 19th century architectural etching of the Pantheon in Rome entitled "Panteon di Agrippa detta La Rotonda", plate 9 from "Raccolta delle principali vedute di Roma e...Category
Mid-19th Century Realist Landscape Prints
MaterialsEtching