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Menashe KadishmanIsraeli Modern Pop Art Aquatint Etching Cracked Earth Art Kadishman Lithographc.1979
c.1979
About the Item
This one is a metallic silver gray color.
Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits soon became his artistic trademark. Along with Reuven Rubin and Yaacov Agam he is one of Israel's most famous artists. In 1990, Kadishman was awarded the Dizengoff Prize for Sculpture and in 1995 he was awarded the Israel Prize, for sculpture.
Kadishman was an America-Israel Cultural Foundation scholarship recipient from 1960-1962.
Selected one man exhibitions
1965 Kadishman, Sculptures - Grosvenor Gallery, London. Curator Charles Spencer
Harlow Arts Festival - Harlow, England
1967 Dunkelman Gallery, Toronto
1968 Edinburgh International Festival - Goldbergs & The Richard Demarco Gallery
1970 Menashe Kadishman / Yellow Forest - Jewish Museum, New York. Cur. Tejas Englesmith, asso. curator Edward Fry
1971 The J.L. Hudson Gallery, Detroit, Michigan
1972 Menashe Kadishman, Concepts and their realization - Mus. Haus Lange, Krefeld. Cur. Paul Wember
Yellow Square, Valley of the Cross, Jerusalem
1975 Canvas Forest/Laundry - Israel Museum, Jerusalem. Curator Yona Fisher
Menashe Kadishman : Glass - Julie M. Gallery, Tel Aviv
1976 M. Kadishman : Glass - Rina Gallery, New York
1977 Unicorn Gallery, Copenhagen
1978 The Venice Biennale, The Israeli Pavilion. Curator Amnon Barzel
- Creator:Menashe Kadishman (1932, Israeli)
- Creation Year:c.1979
- Dimensions:Height: 31 in (78.74 cm)Width: 39.25 in (99.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:never framed. minor wear, minor toning in margins minor tear in edge upper margin well outside of image, should mat out perfectly.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213711652
Menashe Kadishman
Menashe Kadishman was born in Mandate Palestine. His father died when he was 15 years old. He left school to help his mother and provide for the family.[1] From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1950–1953, Kadishman worked as a shepherd on Kibbutz Ma'ayan Baruch. This experience with nature, sheep and shepherding had a significant impact on his later artistic work and career. In 1959, Kadishman moved to London to study at Saint Martin's School of Art and the Slade School of Art.[2] In 1959-1960 he also studied with Anthony Caro and Reg Butler.[2] He had his first one-man show there in 1965 at the Grosvenor Gallery. In 1972, he returned to Israel. In the 1960s, Kadishman's sculptures were Minimalist in style, and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). The glass allowed the environment to be part of the work. The first major appearance of sheep in his work was at the 1978 Venice Biennale, where Kadishman presented a flock of colored live sheep as living art.[4] In 1995, he began painting portraits of sheep by the hundreds, and even thousands, each one different from the next. These instantly-recognizable sheep portraits soon became his artistic "trademark"
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