Mr. P. Manguin

Private Architecture in 19th Century, Parisian Suburban Villa Floor Plan

19th Century

Modern art deco promotional poster by artist and illustrator Leonetto Cappiello. The work features a man using Nitrolian paint to paint a set of stairs as a woman walks down. The pa...

Colored woodblock print by San Antonio, Texas artist Richard Conn. Red, blue, yellow, and white print depicting a still life of pastries within a patterne...

A. R. & Cie. Catalog from 1920's. Modern art deco furniture setup numbered Plate 17. Signed Paris, France in the bottom left corner and dated...

Red toned interior still life depicting a white pitcher, two beverage bottles, three yellow ripe mangoes and one unripe, and a shape that resembles a sliced cantaloupe--all on top of...

Known for addressing difficult issues, this lithograph by Sue Coe tackles the difficult subject of rape culture. It is numbered in the lower left corner and signed and dated in the l...

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Trees. 2016. Paper, etching, 2/5, 29x40 cm

Print on canvas with lotuses “STRENGTH. REBIRTH. PURIFY” in realism, which was painted by the artist Maria Matveyeva. The print size is 50x50cm plus ...

Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...

York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...

"Le Seuil" (The Threshold) is an image printed in 2006. This impression is Roman numeral X of XX. It is titled, dated, numbered and signed by the artist. Judith Rothchild, printma...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...