Pierre-Auguste RenoirBaigneuse Debout, à Mi-Jambes — French Impressionism1910
1910
About the Item
- Creator:Pierre-Auguste Renoir (1841-1919, French)
- Creation Year:1910
- Dimensions:Height: 6.5 in (16.51 cm)Width: 4.63 in (11.77 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
Pierre-Auguste Renoir
An early 20th-century master, Pierre-Auguste Renoir created thousands of figurative prints and paintings and is credited as one of the founders of the Impressionist movement. His frequently reproduced works are appreciated for their luminous appearance, rich colors and soft, feathered brushstrokes.
Renoir was born in Limoges, France, in 1841. He began painting as a child while working in a porcelain factory, which led to a formal study of art in Paris under Charles Gleyre. In the early 1860s, he often visited the Louvre to study French master painters, and he became friends with Claude Monet and Alfred Sisley, both leading Impressionists.
Renoir first exhibited his paintings in 1864, but he did not rise to prominence until his first exhibition with the Impressionists in 1874. In 1877, Renoir stopped exhibiting with the Impressionists and embarked on a series of travels. In 1881, he went to Algeria and Spain, meeting the artists Eugène Delacroix and Diego Velázquez. He continued to Rome, Sicily, Algeria and Guernsey, where he created 15 paintings in one month in the summer of 1883.
In 1890, Renoir married Aline Victorine Charigot, a portrait model and muse for many of his works. They had three sons, and in 1907, Renoir moved his family to the village of Cagnes-sur-Mer, near the Mediterranean. By this time, he had developed arthritis in his hands, and he had a stroke in 1912, after which he used a wheelchair. Renoir continued to paint for the rest of his life, even strapping a brush to his paralyzed fingers.
Shortly before his death in 1919, Renoir visited the Louvre to see his paintings now hanging next to the artistic icons that he used to study and admire. He returned to his home village and died in December of that year.
On 1stDibs, find Pierre-Auguste Renoir paintings, prints and sculptures.
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- 'Baigneuse Debout, à Mi-Jambes' — French ImpressionismBy Pierre-Auguste RenoirLocated in Myrtle Beach, SCPierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...Category
1910s Impressionist Nude Prints
MaterialsEtching
- Women Bathing — German Expressionism, Nudes, 1920Located in Myrtle Beach, SCGeorg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...Category
1920s Expressionist Nude Prints
MaterialsEtching
- The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'Located in Myrtle Beach, SCArthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...Category
1920s Vienna Secession Figurative Prints
MaterialsEtching, Drypoint, Aquatint
- Nude at PianoBy John SloanLocated in Myrtle Beach, SCJohn Sloan, 'Nude at Piano', 1933, etching, edition 100, (only 85 printed), Morse 265. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, lower right...Category
1930s Ashcan School Nude Prints
MaterialsEtching
- Modernist Nude — Atelier 17Located in Myrtle Beach, SCRussell T. Limbach, 'Untitled (Modernist Nude)', etching and aquatint, no known edition, c. 1930. Signed in pencil. A fine impression, on cream wove paper, with full margins (1 7/8 to 2 3/4 inches), in excellent condition. Image size 8 15/16 x 5 15/16 inches; sheet size 13 3/8 x 10 1/4 inches. Extremely rare. Matted to museum standards, unframed. Probably created when Limbach was in Paris (1928-1934), where he was exposed to modernist printmaking explorations at Stanley William Hayter’s 'Atelier 17'. ABOUT THE ARTIST Born in Massillon, Ohio, Russell Limbach...Category
1930s American Modern Nude Prints
MaterialsEtching
- 'Le Paradis Terrestre' (Paradise on Earth) — 1930s SymbolismBy Edouard GoergLocated in Myrtle Beach, SCEdouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...Category
1930s Symbolist Figurative Prints
MaterialsEtching
- "Femme nue assise" original etchingBy Pierre-Auguste RenoirLocated in Henderson, NVMedium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this lovely impression on cream laid paper is from the rare 1906 first edition of "Histoire d...Category
Early 1900s Impressionist Nude Prints
MaterialsEtching
- The SwanBy Anders ZornLocated in New York, NYA very good impression of this etching printed in dark brown on cream laid paper. Signed in pencil by Zorn. Catalogue reference: Asplund 269; Hjert/Hjert 276Category
1910s Impressionist Nude Prints
MaterialsEtching
- VenusBy James Abbott McNeill WhistlerLocated in New York, NYA brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....Category
1850s Impressionist Nude Prints
MaterialsDrypoint, Etching
- SunbathingBy Louis Oscar GriffithLocated in Fairlawn, OHSunbathing Etching and color aquatint on watermarked Umbria Italy paper, c. 1915 Signed by the artist in pencil lower right (see photo) Annotated: "No. 6" in pencil lower left (see p...Category
1910s American Impressionist Nude Prints
MaterialsEtching
- "Baigneuse Debout, a mi-jambes" original etchingBy Pierre-Auguste RenoirLocated in Henderson, NVMedium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression published in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodo...Category
1910s Impressionist Nude Prints
MaterialsEtching
- Canards Surpris (Surprised Ducks) /// Antique Impressionist Nude Animal ForestBy Félix BracquemondLocated in Saint Augustine, FLArtist: Félix Bracquemond (French, 1833-1914) Title: "Canards Surpris (Surprised Ducks)" *Signed by Bracquemond in pencil lower right. It is also initial signed in ink lower left Year: 1882 Medium: Original Drypoint Etching on cream Japanese paper Limited edition: 100 Printer: Imprimerie Lemercier, Paris, France Publisher: likely the artist Bracquemond himself, Paris, France Reference: "Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes", Vol. XII, Paris, 1885–1892 - Henri Béraldi: cat. No. 778; "Inventaire du Fonds Francais Apres 1800" - Jean Adhémar, Jacques Lethève: cat. No. 394, page 383; Laran No. 394 Framing: Recently framed in a gold Baroque moulding and rag matting from Holland Framed size: 23.75" x 19.75" Sheet size: 15.25" x 11.5" Image size: 14" x 10.5" Condition: In excellent condition Notes: "B" inscribed by Bracquemond in ink lower left. There is an example of this work in the permanent collection of the Metropolitan Museum of Art, New York, NY. Biography: Félix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted Théophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Sèvres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with Édouard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond...Category
1880s Impressionist Nude Prints
MaterialsEtching, Intaglio, Drypoint