Le Clou du Spectacle After Picasso Engraving

1958

Engraving Signed and numbered date 1958 The first attempts at engraving date from 1905. Picasso, "fascinated by the games of mirrors and inversions offered by the inscription of his ...

Pablo Picasso Toros ; Lithograph 129/500 numbered publisher Hinte Studio Wonderful Pablo Picasso lithograph of ''Toros " The bullfighters wi...

Lithograph representing a nude signed Sanyu Stamp in front to left in a wood frame frame Sanyu was a Chinese-French artist that created prints, drawings, and paintings. His work fused the histories of European still-life and figurative painting with the traditions of Chinese calligraphy. Considered a master of form and color, he was sometimes referred to as “the Chinese Matisse.” Born Chang Yu...

A beautiful oil painting on canvas representing a Black Madonna with a pigeon symbol of purity In a cubist style this still life is rich in dark color with a broad modernist touch . ...

Lithograph " Still life with Plums "numbered 195/275 and signed by Agostini Tony Agostini was a French painter who was born in 1916. Tony Agostini's work has been offered at aucti...

Colorful Alexander Calder lithograph on Arches paper.Limited Edition 250/375 Signed end dated in plate lower right.Alexander Calder was an American sculptor known both for his inno...

Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...

Jean-Emile Laboureur, 'La Receveuse', engraving, 1919, edition 8, first state of two (artist's proof). Laboureur, Godefroy 190. Signed and numbered '3/8 ép' in pencil. Initialed and...

Jean-Emile Laboureur (1877-1943), Le Diner a L’Auberge, 1917-1922), engraving, signed in pencil lower left and numbered (45/55) lower right. Reference: Sylvain Laboureur 173, second ...

Jean-Emile Laboureur (1877-1943), Jeune Fille au Chapeau Blanc, 1921, etching and engraving. Reference: S. Laboureur 223, third state (of 3), edition of 30, about 47 impressions pull...

Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...