Robin Morris

NEW DECO Signed Lithograph Modern Art Deco Portrait, Black Stripe Hair, Red Lips

1985

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: VISAGE DE FEMME SUR FOND RAYE , #9-B Year of Original Artwork: 1934 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29 x 19 in. Image size - 23 x 14 in. Year printed - 1979-1982 VISAGE DE FEMME SUR FOND RAYE is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates(not a photo reproduction or digital print) on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on center lower margin. Lithograph is in excellent condition, never been framed or mounted. VISAGE DE FEMME SUR FOND RAYE portrays Picasso's version of a color abstract female portrait. VISAGE DE FEMME SUR FOND RAYE depicts a woman's round face...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Étude de Main #7-B(Hand Study) Year of Original Artwork: 1921 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. ÉTUDE DE MAIN is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on lower margin. Lithograph is in excellent condition, never been framed or mounted. Picasso's ÉTUDE DE MAIN is an engaging modern pastel hand study comprised of three anatomical hands...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Tete de Femme , #26-2 Year of Original Artwork: 1938 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. Publisher - Estate of Picasso (Marina Picasso), With Estate-approved Picasso signature printed below image TETE DE FEMME is a limited edition lithograph re-created after an original ink wash painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on lower margin. Typeset under image reads Collection Marina Picasso. Lithograph is in excellent condition, never been framed or mounted. Picasso's Tete de Femme is an eye-catching abstract portrait head of a woman wearing an imaginative rendition of a designer hat...

MOVING IN THE NIGHT is a rarely seen original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. MOVING IN THE NIGHT is a fiercely imaginative, multicolored figurative abstract expressed...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: FEMME ASSISE #25-10 Year of Original Artwork: 1947 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, un...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: BUSTE DE FEMME NUE FACE(Jacqueline Roque), #1 Year of Original Artwork: 1963 Medium: Lithog...

Lithograph, 1955, on Arches wove paper, signed in pencil and numbered from the edition of 50, printed by Mourlot, Paris, published by Galerie Louise Leiris, Paris, 66.4 x 50 cm. (26⅛ by 19¾ in.) This abstract, three-quarter profile is of Picasso’s second wife, Jacqueline Roque. The couple met during the summer of 1952 whilst Roque was working at Georges and Suzanne Ramié’s Madoura pottery works in Vallauris, the studio where Picasso made his ceramics in the South of France. The couples love endured until the artist’s death in 1973, Picasso adored Jacqueline so much so that for seventeen of the twenty years the couple spent together - the longest relationship of Picasso’s life - Roque was the only female Picasso painted. When Picasso embarked on his late, great period, his biographer John Richardson succinctly defined and characterised as ‘l’époque Jacqueline.’ In this lithograph, Picasso bestows Roque with an elegant, sphinx-like appearance. The straight line of the nose which extends directly from the forehead to the tip is particularly evocative of these ancient Egyptian sculptures...

Rendered in profile, Pablo Picasso's portrait of the young Sylvette David is an example of the artist's ability to capture youth and vibrancy even in bl...

By Juan Carlos Breceda 21" x 15" Lithograph - 13/18 Framed Size: 35.5" x 30.5"

"Henry S. Miller" Lithograph in Ink on Paper, #3 of 8 Surrealist lithograph by Stephen Tracy White (American, 1947-2005). A figure in the lower right corner is partially enclosed by a red rectangle. Biomorphic shapes are flowing out of the rectangle, stretching across the composition. The shapes are rendered with intricate linework and soft green shading. Numbered, titled, signed, and dated along the bottom: 3/8 Henry S. Miller S. Tracy White 1969/April Tag on verso from Lee Nordness Galleries, New York Presented in a silver aluminum frame. Shipped without glass. Frame size: 26.5"H x 36.25"W Image size: 23.5"H x 34.25"W Stephen Tracy White (American, 1947-2005) was born in Bronwood, Georgia. They studied at the University of New Mexico, earning a Bachelor of Fine Arts in Art in 1969. They worked at the Tamarind Lithography Workshop, printing pieces by William Crutchfield...

Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...

KAWS Kaws Tokyo First mini poster, 2001 Offset lithograph poster 11 3/4 × 8 1/4 inches Unframed; unsigned In 1996, Brian Donnelly, now known by his moniker...