Saint Gerome Ecrivant (B103), Heliogravure by Rembrandt van Rijn

1878 (of original 1648)

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Corneille Sylvius (B280). Year: 1878 (of original 1633), Medium: Heliogravure, Size: 11 x 7.5 in. ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vieillard au Bonnet Fendu (B265). Year: 1878 (of original 1640), Medium: Heliogravure, Size: 6 x 5.5 in. (15.24 x ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert dit le Peseur d'Or (B281). Year: 1878 (of original 1639), Medium: Heliogravure, Size: 10 x 8 in. (...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Saint Pierre Guerissant le Paralylique (B94). Year: 1878 (of original 1659), Medium: Heliogravure, Size: 7.25 x 8.5...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait du Docteur Petrus Van Tol (B284). Year: 1878 (of original 1656), Medium: Heliogravure, Size: 11 x 7.75 in....

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Landscape with Trees and Farm Buildings (B223). Year: 1878 (of original 1651), Medium: Heliogravure, Size: 3 x 8 in...

Artist: Malo-Renault (French, 1870-1938) Title: "Portrait de Fanny Charrin" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1909 Medium: Original Etching and Drypoint on wov...

Thames Bridges – Looking West John Duffin Limited Edition Etching Printed on White 300g Somerset Paper Edition of 150 Signed – John Duffin Image Size: H 38cm x W 25cm Sheet Size: H 56cm x W 38cm x D 0.1cm This work is sold unframed Free Shipping Please Note that in situ images are purely an indication of how a piece may look Thames Bridge – Looking West is a limited edition cityscape print on London by artist, John Duffin. Duffin’s acute attention to detail gives the work a bold aesthetic. John Duffin is a painter and printmaker whose work is based on the modern environments of cities and towns, creating dynamic, cinematic images of contemporary urban life. His unique images of architecture, lighting and figures have been greatly praised and awarded, recently receiving The Most Outstanding Print Award from Sir peter Blake, he has a distinctive artistic voice and has much to say in his work about contemporary life in all of it’s manifestations. His work is in the tradition of LS Lowry...

Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing Matted size: 18.88" x 22.38" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...

'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 6 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A li...