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Richard HamiltonRichard Hamilton – Putting on the Stijl – hand-signed Collotype and Screenprint1979
1979
About the Item
Collotype and Screenprint on Ivorex paper, edited in 1979
Limited edition of 90 copies
Signed in pencil by artist in lower right corner and numbered: 30/90
paper size: : 50.2 × 66 cm ( 19 3/4 × 26 in )
framed size: 55,5 x 71 cm
Publisher: Waddington Graphics
good conditions, with deep, bright colors , slight defects
A copy of publication and a regular certificate of authenticity is provided
I offer professional packaging and tracked and insured shipping with DHL courier
This striking composition seamlessly merges two Gerrit Rietveld chairs into a colorful background of squares and rectangles, placed to suggest the corner of an interior occupied by the Dutch Modern chairs. De Stijl, meaning style in Dutch, was a publication founded in 1916 by Piet Mondrian and Theo van Doesburg. De Stijl would become the name of a circle of Dutch artists, including architect and designer Gerrit Rietveld, working in strict geometric abstraction, which was first referred to in Mondrian’s journal as neoplasticism. Hamilton chooses Mondrian’s iconic primary color palette, combining royal blue, red, bright yellow, black, and white, in this apt imagining of a Mondrian composition in three dimensions. Hamilton was as fluent in popular culture as was in the history of art and design: the name of this print is also a play on the 1957 Lonnie Donegan hit Putting on the Style.
Hamilton, famed for his collages, utilized clippings from magazines and postcards, and later, took his own reference photos of interiors, including those found in this print. On his treatment of interior scenes, Hamilton wrote: “In bringing together works that could reasonably be labelled ‘Interior’ I found that art was as often the subject as that they were about rooms. I happened to use part of a colour supplement feature for Interior I … Its complement Interior II also contains references to art, including a patch of blue to signify an Yves Klein monochrome, a trick which recurs in Interior with monochromes … Any interior is a set of anachronisms, a museum, with the lingering residues of decorative styles that an inhabited space collects. Banal or beautiful, exquisite or sordid, each says a lot about its owner and something about humanity in general. They can be dreary or warm and touching, on occasion, inspiring; all tell a story and the narrative can be enthralling; some even give us a little lesson in art appreciation.”
Reference: Etienne Lullin: Richard Hamilton: Prints and Multiples 1939-2002, catalogue raisonné, Kunstmuseum, Winterthur, 2003, no 111 illustrated. Richard Hamilton: Prints 1939-83, Stuttgart and London 1984, p.75
A copy of this print is in the collections of Tate, London; Arts Council Collection UK; Stedelijk Museum, Amsterdam; and the Art Gallery of New South Wales, Sydney
- Creator:Richard Hamilton (1922 - 2011, British)
- Creation Year:1979
- Dimensions:Height: 21.86 in (55.5 cm)Width: 27.96 in (71 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good conditions, with deep, bright colors , slight defects.
- Gallery Location:Varese, IT
- Reference Number:1stDibs: LU1938211790152
Richard Hamilton
Richard Hamilton was born in Pimlico, London on February 24, 1922. He did an apprenticeship for an electrical components firm, during which time he began to take evening classes at Saint Martin’s School of Art and the Westminster School of Art.
In 1938, Hamilton enrolled in the Royal Academy of Arts. His studies here were unfortunately cut short the following year as he joined the army as a technical draughtsman for the duration of World War II. Following the war, Hamilton spent two years at the Slade School of Art, University College, London.
Hamilton began to exhibit his art at the Institute of Contemporary Art (ICA), and taught at the Central School of Art and Design from 1952. The first major exhibition of Hamilton’s paintings was shown at the Hanover Gallery, London in 1955. In 1993, Hamilton represented Great Britain at the Venice Biennale and was awarded the Golden Lion. He has been the subject of several major exhibitions at Tate in London, notably in 1970 and 1992. Other retrospectives include at the Solomon R. Guggenheim Museum in New York in 1973, MACBA in Barcelona, Museum Ludwig in Cologne and the Neue Nationalgalerie in Berlin.
In 2010, the Serpentine Gallery presented Hamilton’s work “Modern Moral Matters,” an exhibition which largely focused on Hamilton’s political and protest works. Hamilton has been showcased in the Minneapolis Institute of Art’s “Richard Hamilton: Pop Art Pioneer 1922-2011,” and the National Gallery’s “Richard Hamilton: The Late Works” opened in 2012.
Hamilton has been awarded with the John Moores Painting Prize (1969), the Talens Prize International (1970), the Leone d’Oro (1993), the Arnold Bode Prize (1997) and has been made a Member of the Order of the Companions of Honour (CH) in 2010. The Tate gallery in London has the largest repository of Hamilton’s work, but he is collected worldwide including at the Alan Cristea Gallery and the Museo Ncional Centro de Arte Reina Sofía.
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(Biography provided by Shapero Modern)
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