William King (b.1925)

Vintage Lithograph Poster William King Terry Dintenfass Gallery NYC

SCARCE EARLY WORK. BEN SHAHN Levana and our Lady's Sorrows. lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued. One of o...

SCARCE EARLY WORK. BEN SHAHN Levana and our Lady's Sorrows. lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued. One of o...

SCARCE EARLY WORK. BEN SHAHN Levana and our Lady's Sorrows. lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued. One of o...

Antonio Frasconi (28 April 1919 in Montevideo, Uruguay – 8 January 2013 in Norwalk, CT, USA) was an Uruguayan - American visual artist, best known for his woodcuts. He was raised in Montevideo, Uruguay, and lived in the United States since 1945. Antonio Rudolfo Frasconi was born 28 April 1919 on a boat between Argentina & Uruguay and was raised in Montevideo, Uruguay. He had parents of Italian descent. They had moved to South America during World War I. Frasconi's mother managed a restaurant whilst his father was frequently unemployed. Frasconi frequently quotes his mother and her view of his talents. He said that his mother talked of art at the church where she was brought up as if it had been done by God rather than man. She felt that if Frasconi had been born with a gift, he would already be a famous artist rather than working like her each day. His mother worked in the restaurant, cared for Frasconi and his two sisters and still found time to be a seamstress. By the age of twelve, he was learning a trade at a printers after abandoning a course at Círculo de Bellas Artes. During his teenage years he admired Gustave Doré and Goya, whilst indulging in creating caricatures of political figures. During the war, an exhibition of impressionism and post-impression was organised by the French in Latin America. Artists such as Van Gogh and Cézanne captured his imagination. However it was the woodcuts of Paul Gauguin that he was attracted to most. Frasconi says he became intrigued by American writers and musicians. He would hear Jazz on the radio and read American authors like Walt Whitman. Frasconi moved to the United States in 1945 at the end of World War II. He worked as a gardener and as a guard at the Santa Barbara Museum of Art. It was at that museum that he had his first dedicated show. His recognition was beginning to grow and within twelve months he had a similar show at the Brooklyn Museum of Art. Frasconi was a Guggenheim Fellow in 1952. In 1955, Frasconi's woodcuts were exhibited at the Summit Art Association, now known as Visual Arts Center of New Jersey, in Summit, NJ. This show was an extensive traveling exhibition organized by the Smithsonian Institution. In 1959 he was a runner-up for the Caldecott Medal from the U.S. children's librarians, which annually honors the illustrator of the best American picture book for children. Thus The House That Jack Built, which he also wrote, is retrospectively termed a Caldecott Honor Book. In 1962 Frasconi won a Horn Book...

Antonio Frasconi (28 April 1919 in Montevideo, Uruguay – 8 January 2013 in Norwalk, CT, USA) was an Uruguayan - American visual artist, best known for his woodcuts. He was raised in Montevideo, Uruguay, and lived in the United States since 1945. Antonio Rudolfo Frasconi was born 28 April 1919 on a boat between Argentina & Uruguay and was raised in Montevideo, Uruguay. He had parents of Italian descent. They had moved to South America during World War I. Frasconi's mother managed a restaurant whilst his father was frequently unemployed. Frasconi frequently quotes his mother and her view of his talents. He said that his mother talked of art at the church where she was brought up as if it had been done by God rather than man. She felt that if Frasconi had been born with a gift, he would already be a famous artist rather than working like her each day. His mother worked in the restaurant, cared for Frasconi and his two sisters and still found time to be a seamstress. By the age of twelve, he was learning a trade at a printers after abandoning a course at Círculo de Bellas Artes. During his teenage years he admired Gustave Doré and Goya, whilst indulging in creating caricatures of political figures. During the war, an exhibition of impressionism and post-impression was organised by the French in Latin America. Artists such as Van Gogh and Cézanne captured his imagination. However it was the woodcuts of Paul Gauguin that he was attracted to most. Frasconi says he became intrigued by American writers and musicians. He would hear Jazz on the radio and read American authors like Walt Whitman. Frasconi moved to the United States in 1945 at the end of World War II. He worked as a gardener and as a guard at the Santa Barbara Museum of Art. It was at that museum that he had his first dedicated show. His recognition was beginning to grow and within twelve months he had a similar show at the Brooklyn Museum of Art. Frasconi was a Guggenheim Fellow in 1952. In 1955, Frasconi's woodcuts were exhibited at the Summit Art Association, now known as Visual Arts Center of New Jersey, in Summit, NJ. This show was an extensive traveling exhibition organized by the Smithsonian Institution. In 1959 he was a runner-up for the Caldecott Medal from the U.S. children's librarians, which annually honors the illustrator of the best American picture book for children. Thus The House That Jack Built, which he also wrote, is retrospectively termed a Caldecott Honor Book. In 1962 Frasconi won a Horn Book...

SCARCE EARLY WORK. BEN SHAHN Levana and our Lady's Sorrows. lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued. One of o...

Artist: August Mosca (1905 - 2003) Title: Subway Station Medium: Lithograph, signed and numbered in pencil Edition: 1/20 Image Size: 14.5 x 16.5 inches...

A modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...

Medium: Hand colored offset lithograph Frame size: 16 x 15 inches Stamped on verso by The Estate of Andy Warhol and The Warhol Foundation

Artist: Don Nice, American (1932 - ) Title: Censorship Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 144 Size: 12 in. x 38 in. (30.48 cm x 96.52 cm) Frame Si...

SALE ONE WEEK ONLY "Receiver I" is an abstract print of three diagonally placed lines. It is reminiscent of an early work by Georgia O'Keeffe, "Blue Lines X" in that both artists, Semivan and O'Keeffe, have achieved a beauty in the placement, width of, length and juxtapositions of simple lines to achieve a never ending balance and harmony for the viewer. Born in Detroit, Michigan, Douglas Semivan...

Original. ERP European Reunification Program, Inter-europaische Zusammenarbeit fur bessere Lebenbedingungen. Mounted on acid free archival linen. Lithography Kühn & Zoon, Rotterda...