Sara Fine-Wilson

"Poodle", gestural, ceramic, sculpture, yellow, green, tan, pink, stoneware

2017

Sara Fine-Wilson's “Furl" is a gestural 13 x 16 x 9 inch ceramic sculpture in white and cream constructed from white stoneware. In this graceful and evocative sculpture individual sl...

Sara Fine-Wilson's “Almost" is a gestural 13.5 x 12 x 9 inch ceramic sculpture in white and cream constructed from white stoneware. In this graceful and evocative sculpture individua...

Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...

Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilson's “Pucker" is a gestural 12.5 x 10 x 10 inch ceramic sculpture in white and cream constructed in white stoneware in a graceful fluid form. Individual slab forms in white are assembled and then layered in glaze in a way that emphasizes the smooth fluid quality of the form. Sara Fine-Wilson is a contemporary sculptor based in the Boston area. In  her work she explores ideas about the emerging form of our subconscious mind. She also explores material, process and pushes boundaries. Fine-Wilson is represented by Fountain Street Gallery...

Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...

"Large Orange Hive", Contemporary, Ceramic, Sculpture, Stoneware, Underglaze

"Blue Hive", Contemporary, Ceramic, Sculpture, Blue, Stoneware, Underglaze

Nick Weddell Lemonhead stoneware, porcelain, and glaze 14 x 20 x 21" 2019 signed by artist Originally from Austin, Texas, Weddell received a BFA in Ceramics from Texas State Univer...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. "Autumn Snow...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ...

John Gill Oblong Mug (INV# NP3732) stoneware and glaze 2002 signed by artist