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An interesting antique Indian silver pedestal bowl decorated with animals and anthropomorphic hunter figures dating from the 19th century. The bow...

Silver German pair of centrepieces / centerpieces made by Bruckmann & Sons (Germany). Art Nouveau (made circa 1900) Silver 800 branded by German Crescent with Crown Manufactory: Eagle Mark of Bruckmann & Soehne (= SONS), Heilbronn (Germany) Peter Bruckmann (1865-1937) was the first Chairman of the Deutscher Werkbund (founded 1907). Size: Height 18.5 cm ( 7.28 inches) Width 22.5 cm ( 8.85 inches) Depth 19.5 cm ( 7.67 inches) Total weight: 940 grams / 33.08 OZ / 30.22 troy ounces Specifications: Excellently manufactured pair of silver centrepieces / stands / holders: Each of the reticulated oval bowls are based on four slim as well as concave supports which are attached to round base: Edge of these bases is of reticulated type, too. The bowls' corners are decorated with lockets framed...

A magnificent cocktail set which came to us as a set but started life on two different sides of the Atlantic; New York meets London! The cocktail shaker was made by the top-notch ...

A fine Art Deco English silverplate six slot toast rack, circa 1900. No maker's mark. This stunning toast rack has a sleek and stylish barrel shaped geometric design, beaded trim, an...

A handsome 1 pint cocktail shaker in silver plate by the top-notch silversmith, Mappin & Webb of London and Sheffield. The underside is fully marked together with the trademark "Mappin Plate...

A vintage English cylindrical martini or cocktail shaker of fine plate silver featuring a stylish Art Deco design, with removable cap and strainer. Impr...

A handsome vintage Art Deco cocktail shaker in silver plate, fully marked on the underside by the maker William Suckling Ltd. It is also marked "Kingsway Plate...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Tiffany & Co. Art Deco Cast Sterli...

Anton Michelsen Danish Silver Bowl made by the A. Michelsen works and assayed by Christian F. Heise. Anton Michelsen, 1809-1877, was a Danish Si...

A handsome 1 pint cocktail shaker in silver plate by the top-notch silversmith, Mappin & Webb of London and Sheffield. This one is lucky enough to have an integral ice breaker...

An antique Arts and Crafts center bowl offers hammered copper construction with maker stamp on base as photographed, c1910 Measures- 3.5''H x 9.25''W x 9.25''D

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.