Élisabeth Dujarric de La Rivière Art

Horacio Sapere (1951) - Abstract - Oil and collage on canvas Signed lower right Canvas measures 61x46 cm. Frameless. Horacio Sapere (Buenos Aires, 1951). He has lived and worked in Mallorca since 1975 and since 2011 he has had a studio in New York. An intense and committed artist, he develops his creative process through theater and performance (1970-1980), visual poetry (1976-1982), painting and sculpture. Creator of major projects such as Poet's room (1995), presented for the first time at the BMB gallery in Amsterdam (1996), at the UIB -Universitat de les Illes Balears- (1997) and at the Sala de Cultura Sa Nostra in Ibiza (1998). ); and as a sculptural poetic installation at the MEIAC, the Spanish and Ibero-American Museum of Contemporary Art in Badajoz (2000), the Fernando Pessoa...

Rebecca Venn's (US based) "Untitled" is an original, handmade oil painting on canvas paper that depicts a nude female model laying on her back. This is ...

Portrait. 1975, oil on plywood, 32x27,5 cm Abstract portrait Robert Elibekyan (1941) (Armenian: Ռոբերտ Էլիբեկյան; born 21 April 1941) is an Armenian pa...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

Well painted 1950's mid-century modern English portrait of a black nude woman seated on a chair. The artist was a portrait and figure painter active during the 1950s-1960s Oils on ...

'The Power of Words', oil on board, Berlin School, (circa 1950s-1970s). A thoroughly modern depiction clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Peter Keil's gold framed painting on canvas. Signed and dated 1997. This one is stunning in person. Amazing and decorative gold frame compliments ...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

Derek Harrison's (US based) "Sam" is an oil painting that depicts a nude female model with pink hair and shaved sides. "Sam" is a secondary market work with one previous owner. Artist Biography: Derek Harrison has worked as an artist almost all of his life. It all began with experimental art in various mediums. These ranged from watercolor to spray paint, tattooing, illustration and eventually to oil painting. A full spectrum of mediums experimented with as an artist beginning to learn his craft. In early 2010 Derek began taking workshops with very accomplished painters. This exposure opened his eyes and mind to what the possibilities are in the fine art world. After a very short amount of time, Derek began to take an extreme interest in classical/traditional art. This interest would lead him to study at the Los Angeles Academy of Figurative Art. After formal training, many classes and workshops outside of the school and a very important session of weekly classes with artist Jeremy Lipking, Derek Harrison has become one of the most exciting new talents in the field of representational painting. He has shown in galleries all over California and as distant as Amsterdam. His paintings sit in many collections across the country including musician Richie Sambora...

[Hippolyte-Alexandre Michallon (1849-1930)] Oil on canvas Signed in red, l.l. 48 x 60 inches, canvas size 54 x 66 inches in gold leaf frame 61 x 74 x 6 inches, framed This artwork is offered by ClampArt, located in New York City. “By his own account, the most ambitious work of Michallon’s career was a thirty-foot canvas depicting Noah’s Ark, which he exhibited in the Salon of 1875, where it went unmentioned by the critics. Preparatory work for this elaborate composition took him frequently to the Jardin des Plantes, where he made painstaking drawings and oil sketches of the animals on view. These studies were enthusiastically remarked upon by visitors to his studio, some of whom counseled him to give up history painting altogether and pursue the less dignified but presumably more lucrative career of animal painter. Following this advice, and profiting from the tremendous vogue in 1880s Europe for all things African...